Author Archives: Jason Tougaw

Kanye West: The Man Behind The Boards

With someone like Kanye West, you can never be surprised at what you learn. As the times come, we find out more and more about the genius that Kanye West truly is. But what is not spoken about is the fact that he is one of the most sampled artists in music today. Knowing his work, it would make any fan raise an eye thinking that someone who has a very sample influenced sound that can be the canvas of other’s masterpieces? Especially with the way Kanye’s sound has developed through change in tempo, tone (through autotune), subject matter, and even the intricate use of old classic music.  Also, we look through some monumental moments in Kanye’s career with some of his best collaborators. Also, the fact that all of these songs went number one and were highly favored by the people for their use of samples and collaborators, shows the significance and importance of Kanye’s musical genius to the people.

Encapsulating My Musical Journey

I will admit this class is not what I first expected. I have only taken one music class before which I did not enjoy at all. This class was the complete opposite as it was definitely one of the most interesting of all that I have ever taken. I loved getting to write about a topic that I love so much, I never got a chance to do that before. I used each opportunity to write about an artist or song I loved to share with others. But also for myself as I would not get the chance to write about this specific topic as much anymore. It is always more fun to write about things that you are interested in. Despite my love for music, I found that it was not as easy for me to describe it in technical terms. This was the thing I focused on improving the most throughout the semester. This is exactly why I chose my first two assignments and then last assignments of the semester. In a way it was to  track my progress from start to end.

My Record Club post was the first assignment that I wrote for this class. I did not have much trouble choosing a song. I always pick Chloe x Halle as my go-to recommendation artist because what is there not to love. I listen to “Down” all the time but still had to have it on a loop to write my post because I did not know how to write what I was hearing in technical terms. Same also goes for my performance review for BTS. I had each performance on repeat as I tried to find a way to choose what elements exactly to include without adding too much. BTS was also an easy choice as they had just done an MTV Unplugged around the same time I wrote the review. Also another go-to artist to recommend to others. I was used to talking about music in a casual setting like with friends , solely based on whether I liked it or not. This analysis of all aspects of the song was very new to me. This is why I picked my last assignment of my annotated playlist to be the last piece for my portfolio. It shows the different ways I learned new things about music throughout the semester with some new songs and improvements to go along with it. 


  Record Club:  “Down”

For Record Club I chose “Down” by R&B duo Chloe x Halle. “Down” is from their debut album, The Kids Are Alright. At the ages of seventeen and nineteen, the title has a more literal meaning as the album is geared towards a younger audience. The themes of the album are centred on the experience of transition through the teenage years and progressing into young adulthood. I think this is why I resonate with the album, “Down” is a personal favorite of mine. I would often hear others talking about having a go-to song which calms them down, some even take it a step further and make an entire playlist based solely on moods. As someone who listens to any and everything, I never had one.That was until I found this song, as soon as I heard it, I then began to understand exactly what a comfort song is. It is like a wave of calmness washes over me as soon as I hear this song, and based on the lyrics I can see that was exactly what they were going for. 

“Down” is mainly a R&B song but other elements are also present. The opening vocals in the intro are similar to those that would be heard during an opera show. These opera-like sounds are heard throughout the track. This also goes for the harmonies that the two create with their voices, which can be heard in the background. It is one of those songs where something is always going on, especially in the background. There is a mix of lead vocals that are loud and clear, while the background vocals take on a more light and airy tone. During the chorus we see a change in the tempo as the bass comes in heavy. But it is not too harsh to change up the mood of the song, instead it fits smoothly as it adds to the calming feel. 

The aspect of the song that sticks out the most are the vocals. The airy tone sounds beautiful and angel-like. The main message of the song is that sometimes when life is too much it is okay to sit back and relax. This would explain why the choice of sound was more light and airy instead of with more of an edge. It is especially evident in the chorus as we can hear how the pronunciation becomes different. Instead of saying slow as is, instead they drag out the word and then pronounce it as “slooowww” before they then proceed to sing down. They are acting out the word at the same time as it is being sung. It is little things like this that adds onto the serene feel of the song. As they sing about taking a moment to relax, every aspect of the song is made to replicate that exact action. Lyric wise,  “Down” is a mellow anthem about taking a moment to calm your nerves. But Chloe x Halle take it a step further to ensure that this song, from the smooth instrumentals to the soft lead and background vocal arrangements, would be the perfect one to play during that time. 

R&B:Rhythm and blues. A musical style that grew out of Black American blues, boogie-woogie, Gospel, roadhouse piano/guitar duos and other influences mostly from the Southern United States.- Wikipedia 

Opera:A drama set to music, usually sung throughout, originating in 17th century Italy. Opera is a combination of music, drama, scenery, costumes, dance, etc., to create a complete art form.- Glossary of Musical Terms 

Harmony:A harmony is when multiple tones from multiple sources come together simultaneously, in a pleasing way. When you play all the notes of a chord, you’re creating a type of harmony. The strumming of notes on a guitar can create a harmony; an orchestra of instruments playing together creates a harmony; and two or more voices singing together can create a harmony.- Spotify Glossary of Music Terms 

Bass-Name used for the largest (normally) instrument in a family of instruments. For example Bass Guitar.- Songstuff Glossary 

Tempo-The pace of a piece of music is known as its tempo. Tempo can be measured by beats per minute, or bpm; classical music tempos are described by a set of terms ranging from larghissimo (very slow) to andante (a moderate speed) to prestissimo (very fast).- Spotify Glossary of Music Terms 

 ChorusThe chorus is intended to be the most memorable part of the song. It is repeated several times so that it sticks in your mind. Several other tricks are used to help it stick.Commonly a chorus:Contrasts with the verse, rhythmically, melodically, lyrically, harmonically and / or dynamically.A chorus is repeated at least once, both musically and lyrically. Usually several times.It is more intense, has more energy. A chorus usually has a greater musical and emotional intensity than the verse.Lyrically:The main message and /or concept is expressed in the chorus.- Songstuff Glossary 

MellowReduced high frequencies, not Edgy. -Describing Sounds: A Glossary 


   BTS Takes The Stage on MTV Unplugged 

Since 1989 MTV Unplugged has been a place for artists to showcase a more personal performance. Each show is made to resemble an intimate mini-concert equipped with a live band and vocals.MTV Unplugged has hosted countless icons in music including- Mariah Carey, Lauryn Hill, Nirvana and the list goes on. BTS ‘recent performance on February 23rd not only crowns them the first Korean act to take the stage, but also shows the success of their ongoing musical journey. 

At this point, everyone has at least heard of BTS, they have single handedly taken the world by storm in recent years. But that does not mean that everyone really knows all about the group. Based in South Korea, the group is composed of four vocalists– Jin, V, Jimin and Jungkook and three rappers-RM, J-Hope, and Suga. BTS are known for their diverse discography that contains not only the basics such as Pop, Hip-Hop, R&B,and EDM but also ventures out into Punk/Rock, Ballads,Latin Pop,Funk, House, Trap and the list goes on. If it is a genre, then BTS have probably already dabbled in it. Along with that, the group is also known for their ability to put on a show. It is not a BTS concert without fireworks, live vocals and extensive choreography along with multiple outfit changes. In this performance, to go along the flow of the show, the audience sees more stripped down and personal performance from the group as they perform tracks from their latest album, BE.

A first ever live performance of “Telepathy,” written by Suga, opens up the show with a background set decked out in all sorts of colorful older arcade games and furniture. This set up matches the funky flow of the upbeat song. “Telepathy”  serves as a perfect opener to get the audience hyped up for the rest of the show as the heavy bass booms throughout the room. As the disco-esque track plays, we can see as they play around in the home arcade as this performance takes on a more playful and casual approach- a nod to the countless days most of us have spent at home due to the ongoing pandemic.

The mood does a complete switch with the next performance of “Blue & Grey.” The boys ditch the casual clothes for collared shirts and ties. The set takes on a literal meaning as a blue-ish shadow washes over them as they sing through the ballad. It was written by V and described as a result of feeling burnt out and blue,the song came as a way to relive those emotions. The instrumentals are kept simple as the main focus are definitely the vocals. The most that could be heard through the majority of the song is the soft strumming of  an acoustic guitar. This is a more emotional song and it can be heard as V sings  “I just wanna be happier/ Is it too much to ask.” “Blue & Grey” speaks to anyone who has ever encountered this overwhelming feeling of sadness for whatever that reason may be. It is one of those songs that we all really needed to hear during these uncertain times  and was created for that reason. 

This seems to be the ongoing theme for BTS for this performance. The song’s choices are picked specifically to bring comfort for those watching during these trying times. This is why Coldplay’s “Fix You” was the cover choice for this performance. The boys take a seat to solely focus on the cover. The rappers take a different approach than usual as they stick to perfecting harmonies in the background. As the vocalists take center stage to belt out an array of high and lows notes. “Fix You”is a personal song about grief that is special to the band, so it says a lot for BTS to not only perform but receive praises from Coldplay. 

BTS end their performance with two of their more well-known , “Life Goes On” and “Dynamite.”The songs that have provided the group their first #1 hits.  “Life Goes On” still follows the mood of the previous song. In the title track of BE, the lyrics speak about the current pandemic. As of right  now as it seems never-ending, but one day the pandemic and all it comes with will end. It may not seem like it right now, but eventually that day will come. This ballad not only shows off beautiful vocals, but also raps that fit smoothly. Suga raps, “ Let me tell you with this /People say the world/ But thankfully between you and me/Nothing’s changed.” The lyrics are meant to  give off a more hopeful, optimistic tone. The group ends the performance with, “Dynamite” which is arguably their most successful hit. It is an up-tempo disco-pop song that is made to bop and groove to. It is even shown even with each performance sung with smiling faces, always sounding better than The instrumentals are kept simple as the main focus are definitely the vocals. . The group likes to take a fun approach to “Dynamite” and that’s why it is the song used to end the overall performance. This retro pop hit is always a chance for the group to let loose and have fun with the performance. They left off the original choreography to instead do exactly that. Instead choosing to do whatever comes natural in the moment with smiles on their faces. With these performances BTS have sent us through an array of different emotions and here is “Dynamite” to end it all in a good place.


 Early 2000s Rewind

Oddly specific music playlists have become one of my favorite things lately. I never really been big on playlists. I would usually just go to my music library of thousands of songs and just press shuffle over and over until I find a song that fits the mood. Eventually growing tired of pressing shuffle led me to finally give in and make my own mood playlists. I would usually see ones along the lines of chill vibes and party songs and things like that. It was until one day my friend asked me for and I quote, “cinematic songs to play in the background when you’re running to save your love interest’s life” that I was introduced to another way to sort music. I started to see this trend more often, from “Songs that make you feel like the main character in a coming of age movie”to” A playlist for people who are always the second option”, both of which are real. Other than how funny I find the titles, I also like how for the most part I can identify the specific moment that is being talked about. Even if it is not something I can relate to,it was probably something I saw in a movie so I can still place the feeling. 

This brings me to my own playlist that I created called, “The type of music that would play in a 2000s teen movie.” I feel like everyone knows the exact type of movies and music that I’m referring to. Mean Girls, She’s the Man, John Tucker Must Die, along those lines. The time period where Amanda Bynes and Lindsay Lohan were booked, busy, and just about everywhere. Specifically songs with alternative and pop-punk elements, which were especially popular in these music soundtracks. My playlist contains an array of songs from different years that would or already have fit perfectly in them. 

All-American Rejects- Move Along

I had to start off with a song that was actually played in some of these teen movies.I would consider this their brand as a music group. Was it really a 2000s teen movie soundtrack if a All-American Rejects didn’t play?“This song  and “Dirty Little Secret” were the go to during the climax scene.Move Along” was always my favorite though.This song fits that moment of the main character finding a solution to the main conflict. That scene shows them growing up and moving on from the person they once were at the beginning of the movie. The lyrics are especially fitting as the chorus goes, “When all you got to keep is strong/Move along,move along like I know you do/And even when your hope is gone/Move along,move along, just to make it though.” It makes sense why this would be the most played part. This would definitely be more fitting for the end of high school to the beginning of a college type of plotline. I could see “Move Along” being played in the background during that transition scene where the main character movies into their college dorm, because everyone in movies goes away for college for some reason.I personally cannot relate but I’ve seen enough movies to know the feeling. I can physically feel the angst that this song gives off and that’s what gives it a spot in my playlist. 

 

Rina Sawayama-Take Me as I Am

“Take Me as I Am” just screams early 2000s with the hyper pop beat. I can physically see the pink mini skirts and glossy highlights.This is the song that introduced me to the artist and after this song I was hooked. This song kinda reminds me of Kim Possible in a way. This song would be most fitting for the older Disney teen movies, especially a Kim Possible reboot. A movie centred around the highs and lows of a friend group.  “So guess it’s what it takes to live it my way/So the world will take me as I am” just perfectly fits the growing into being your own person and becoming more comfortable in your skin troupe. It is very coming of age but more on the upbeat side, which is not the most common in that specific genre.This song makes me think of montage scenes of the main friend group completing their final project/mission together. More specifically, after they fight over something stupid and it’s so bad that they ignore eachother for a while.Something magically comes in and brings everyone together. They all apologize, make up and realize they’re all better together as this song plays. Specifically the last chorus because I love the note change as she gets louder throughout the song. It adds to the dramatics of the characters,and even makes it a little emotional.

 

Zendaya & Labrinth-All for Us

This song might not be on the soundtrack for a teen movie, but it is for t.v. show. “All for Us” debuted in the last episode of hit t.v show Euphoria to wrap up the first season. I can remember the shock I felt when I realized it was Zendaya singing in the season finale. After that it was the only song I would listen to for months on end. I remember thinking it was so unique and was trying to find more songs like it. The best element used in this song has to be the choir vocals.If you want to immediately elevate any song just add a choir in the background. It adds so much depth to the song as it gives off a dramatic flare. Similar to the show, this song would have to play during a real dramatic scene. The climactic argument scene that leaves everyone involved in tears, and it gets that far, will end relationships of any kind. This definitely plays as the main character storms out of the room crying their eyes out. Maybe after a big secret gets revealed, like “being lied to my whole life” big. It has to be dramatic as ever to fit this dynamic song.

 

HOLYCHILD-Regret You

It’s time for our token love song.I found one song in a random Youtube video made about underrated songs. It is very fitting because I know nothing about the artist other than I love this song and have played it on repeat every time I remember it exists.Despite the heavy beats, the lyrics reveal that this song is so soft and sweet. Based on the sound, you probably would not know it was so lovey-dovey. TIt would best fit in a romance movie. I can see it played in the background with the main couple just being all cute and in love. Specifically for when they first get together, the honeymoon phase. Also this is a summer romance, so we also have a beach, amusement park, and other fun scenes. This is the beginning of summer where you feel like you have all the time in the world,even though you know that is just not realistic. But no one wants to be realistic all the time, so we ignore it and just think of all the time for fun that is ahead. 

 

Lorde-Buzzcut Season

I feel like I don’t even need to explain why Lorde is on this playlist. She is the literal poster child for teen angst. This is simply her brand. If she made music during the early 2000’s, she would definitely be a recurring artist on most of the movie soundtracks. The artist that you can hear the main character listening to in their room or maybe even having her poster in their bedroom. I am a very obvious Lorde fan who is waiting for the day she comes back, yes it is true. I never used to listen to albums in full until like highschool for some reason, even though I was always listening to music. So I did not have many albums that I loved in full compared to the amount of music and artists I listened to. Pure Heroine was definitely one of the few albums that I loved every song on when I listened to the full thing a few years after it came out. The first time I heard “Buzzcut Season” I thought it was more dramatic than it actually was. She opened the song with someone’s head catching on fire and I took that literally. I  thought it would be a sad song. Finally understanding the lyrics later on it was more nostalgic than anything else.This ,in a way,  can also be a sad feeling, longing for what once was. I think this song would be best fitting for a flashback scene of old fond memories, just like how Lorde intended. But just about any Lorde song perfectly encapsulates the different moments of angst and dramatics that we often see in just about every teen movie.

 

Chloe x Halle- Hazy 

“Hazy” is for the not so typical teen movies.This would be paired with the more daring movies of that era.The ones that were more on the risque side. The movies that would explore in deth the world of drugs, sex and things of that nature. The innocent main character that makes friends with a reckless teen who had no adult supervision.The movie would explore their journey of growing up way too fast together. The heavy beat paired with their hauntly beautiful vocals is more fitting for something with more edge, maybe even scary. I say scary because that is exactly how the audience is meant to feel watching such young characters do typically adult things. That is the message that is usually intended for those types of movies. Yes, I am thinking of Thirteen. This movie would definitely be more drama filled and serious than the other ones I envisioned. The last 30 seconds of the song are definitely action packed and would play during a party or club scene, definitely after taking some pretty hard drugs. I also like this song because of the versatility because the last 30 seconds, while being my favorite part, feels like an entirely different song. Not in a bad way, I think it’s the best part. But just based on that alone makes me think of teenage superheroes. That specific part would play in the background of the final dramatic fight scene. It’s so perfect I couldn’t imagine anything else. This really shows the versatility that the two hold as one song can result in two completely different visions. Also you hardly hear a full song that resembles the sounds you would hear during a cartoon fight and I absolutely love it. 

 

Wallows-Ground 

When I found out the main boy from 13 Reasons Why was in a band I just had to check it out. I didn’t expect much, this was not the first time I’ve seen an actor also be in a band.I always found that I liked the actor side more. But after listening to their song “These Days” from their second ep, Spring, I fell in love with their sound and immediately wanted to hear more. It was on this same ep that I discovered “Ground” and played it on repeat for months.It is still my favorite song from them until now. This is another song that just screams moody teenagers.The monotone vocals used in the chorus was always my favorite part especially paired with the rhythmic beat of the drums. If “Regret You” shows the highs of a cute relationship. “Ground” would be greatly paired with the lows. That moment after a bad breakup and the split couple are finally in the same space again, probably walking by each other in the hallways. Both not as mad as they were before, and we all can tell the love is still there. But like the moody teens that they are, all is not forgiven or forgotten that easily.So despite it all, both continue to go their separate ways. 

 

WILLOW- t r a n s p a r e n t s o u l 

I love the fact that I just discovered this song a few days ago. It came right in time to add to this playlist. As soon as I heard it, I thought of how much of a perfect fit it would be.It is the first single of her new upcoming fifth album.This song is very reminiscent of the earlier 2000s pop-punk song that would be so prevalent in these teen movies. It can be heard in the screamo-esque voice, heavy drum beats, and striking electric guitar. I have not heard anything that has been released really that sounds like it. This song would be used in a movie where the main friend group is also in a pop-punk band together. Think Lindsey Lohan in Freaky Friday, but in this movie the band is the actual main plotline. This song would definitely be their first hit. The one that makes the public actually take them seriously or win the big competition at the end of the movie. Of all the songs the band would play,“t r a n s p a r e n t s o u l” would definitely have to serve as the biggest hit with the most screen time, nothing less.


Acknowledgements

  •  Professor Tougaw and my fellow classmates
  • Beyoncé , Chloe x Halle, BTS, All-American Rejects, Rina Sawayama, Zendaya, Labrinth, HOLYCHILD, Lorde, Wallows, WILLOW
  • 2000s teen movies
  • 2000s teen movie soundtracks 

 

A Turtle Flowing Through Waves Of Sound. (Portfolio)

Hello everybody! This is my portfolio. I had chosen these three to focus and work on because I had felt when I initially created them, I hadn’t given them the polish they needed. I also felt like there were many little mistakes and things I could have done better with these works. I wanted to challenge myself especially with my writing to see if I could do just that. Especially in regards to music description and even my personal description of pieces. So this is the “Turtle Portfolio.” I’d also like to take a second to thank professor Tougaw for being one of the coolest and one of my favorite professors! And i’d like to thank the amazing class for the feedback and conversations about music for the semester! You guys were so dope and I appreciate all of you for giving me such a great semester


Personal Mixtape: Serene Ambiance Mixtape

Honestly I’ve never had a playlist or a specific song selection that I would listen to. I’m more of a mood music kind of person and have been like that for as long as I can remember. Yet I noticed that whenever I go for a walk, I mainly play music with less lyrics and more instrumentals. For me at least, when I walk while listening to music, I envision a random scenario that fits with the song i’m listening to. Sometimes it fits the mood i’m in. Other times it’s a scenario that’s unrelated to me, but the song itself. I’ll even sometimes see something while walking and if it fits with the song think of that exact situation but with my twist on it. I’d like to believe almost all of you can relate to that when you listen to music.

For that reason alone it made me focus more on instrumentals rather than lyrics at a point in time of my life. Though I regret it a little because who knows how many good song I missed out on having that mindset. Though being older and much more wiser, growing I live in the instrumental and lyric atmosphere now. And because of that I have decided to create a playlist that consists of songs and instrumentals that I mostly have listened to either walking or reminiscing. Some are new and some are older that my lifetime. I’m hoping some people will now some of the songs and if not then I hope you can enjoy the mix of genre beats that have helped and shaped me to be a better person.

Washed Out: Feel It All Around

https://www.youtube.com/watch?v=S-0TYeg9Rzc

A scenario I have had with this song is me walking at night in the summer. I see all the car lights and the light posts all over town and it’s a breezy night as well. I walk and I see skaters pass by me feeling free. No worries, no stress or even a realization that things and the world gets better. For me this song is definitely a summer night kind of song that’s meant to to be a feel good song. Probably one of the most relaxing songs i’ve ever heard. From the mellow in Washed Out’s voice to the bass which is under appreciated to me. “Feel It All Around” is probably one of my top vapor wave songs to listen to.

Jean Christophe Le Saout: Butterfly

This is a trip hop instrumental. A genre that fuses hip hop and electronica originated in the United Kingdom. I enjoy this song greatly because of the smooth, laid back and old school boom bat similarity sound. At first it reminded me of elevator music for a while. I went for a walk in Williamsburg Brooklyn with this playing once and as I passed people playing basketball and passed all the graffiti and murals, I began to resonate with the song. It felt like I was being told “you’ve gotta keep moving, life doesn’t stop.” This made me more curious about Jean Christophe. I found this song randomly and loved it ever since. It reminds me of an Adult Swim bump that would play through commercials. If anyone’s watched adult swim on a Saturday night/Sunday Morning they’ll understand. It has this nice transition and 0:58 seconds that makes it feel more Lofi as well.

Eyedress: Jealous

When I first heard this song I always envisioned being chased or chasing someone in a comical way. It was the most random thought but it popped up one day. So now I have my morning runs to this song and it makes the runs much better. Then randomly I began imagining myself rollerblade or skate to this song. Similar to the skating in the video. If you have Tik Tok then you’ve probably heard this song. It became a viral hit this year. I’m a big fan and love the song because of the sonic elements. The guitar that plays from start to finish reminds me of 80’s and 90’s alternative rock. The scratchy instrumental and Eyedress’s voice that sounds like it’s fading away as he speaks makes it flow to me. The music video also screams vintage and retro. Like I said previously, I used to be more of a instrumental person and sometimes I still tend to focus on that rather than the lyrics. This song was an example of that. I hadn’t realized how deep Eyedress’s lyrics are until a few listens. Lyrics such as “Don’t tell me about your problems, if you’re not trying to solve them.” “Don’t ask me how my day’s been, I just wanna be alone.” As humans we’ve all been there so to hear it in this form was just “wow.” Negative/insecure thoughts + a alternative rock beat makes magic.

Jeff Lorber: Electric Relaxation

I was on my way to Queens College one day and I got off the N4 to the Jamaica station. This man was trying to sell bootleg phone cases and played this in the background. I listened and asked him what he was playing. The man told me it was a remixed instrumental to “A Tribe Called Quest’s” song “Electric Relaxation” which is one my favorite song from the group. The instrumental to that song is one I enjoy dearly, so hearing a jazzed remix to it was exciting. Such a smooth relaxing remix.The strings and instruments that play throughout are breathtaking. The trumpet and saxophone that plays make it feel like something is rising up. Ever since that feeling came to me, I now listen to this now when I’m either awake before the sun rises or whenever the sun sets. It feels peaceful to me to watch either happen with this happening. Makes me feel like a bad day wasn’t as bad as I perceived it to be.

Freaks & Geeks: Lindsay Disturbed Theme

I hope some of you at least have watched “Freaks & Geeks” so you’ll know what i’m talking about. Yet when I listen to this song I normally end up feeling lost or i’ll really be just wandering on a walk. Like those moments in life where you don’t really know where you’re headed or what to do next. Even when I don’t feel like that, I’ll listen to this to just remember when I did have that feeling. Maybe that’s the purpose of this instrumental. The main character Lindsay being felt lost in between the crowd of the geeks (boys on the right) and the freaks/Cool guys (3 boys on the left). It’s a gentle beat that goes from high to low on a slow tempo. I enjoy the sound that plays at the 9 second mark throughout the most. It adds on to the feeling lost theme of the instrumental.

Flying Lotus: Massage Situation

This instrumental alone to me sounds like quite a trip. Flying Lotus samples this from “Singers Unlimited’s” song “Nature Boy”. Listening to the original and hearing what Flying Lotus did with it is quite a flip. If any of you guys have watched Adult Swim on Sat/Sun you’ve definitely heard this through a commercial break. This is my one of my favorite instrumentals just because it was something I heard every week. My favorite part of this instrumental is the riff that plays in the beginning that continues throughout the song. To me it adds on and flows well with the rest of the distorted sounds that come after. The saturated bass line at the 1:17 also adds to the trip feeling. This makes me think of the 90’s and things that are retro now.

I remember I was walking down a village on a late night and I had passed a smoke shop and this was playing. One of the workers who would always see me walking had asked me if I wanted to smoke with them. I kindly declined and we ended up just talking about this instrumental and stories of life. His were mostly drug and stories of drugs haha but with this in the background playing it made it that more great to me.

Nujabes: Windspeaks

I have infinite love for the flute and the saxophone and this track just absolutely does magic with both of them. The rhythm, harmony and melody make it sound like things are just perfect. Like spirits are being uplifted. If I had to pick a ending instrumental to a movie that needed a sound that describes peace finally being realized it would be this. It’s uplifting to the fullest and is one of my favorite beats to listen to any situation. I think the 3:40 mark is probably my favorite of the beat and the saxophone gets louder and transitions with the beat. When I walk and listen to this, I always envision myself at a festival or celebration being around people that are smiling brightly and dancing. I’ll even catch myself doing a little dance as I walk sometimes. This instrumental to me is supposed to give that feeling and give that “things will get better” feeling.

Flying Lotus: An Xbox Killed My Dog

Similar to “Windspeaks” I walk and envision myself dancing to this song. Yet instead of festival dancing, I imagine dancing in a ballroom or slow dancing. I find this song by Flying Lotus to be one of the most creative things he’s created. From the title “An Xbox Killed My Dog” which already peaked my interest. When I listened to the song and heard the lyrics, I realized I can’t understand the song! I began to laugh when I realized I’d have no idea if the song is about a xbox actually committing murder. As I did research aka Youtube comments. I found out that the lyrics are in Norwegian. and the lyrics are a biblical verse. Flying Lotus sampled “Tiden” from “That’s Why.” The song has no reference to an Xbox killing a dog so that made me happy.

Joey Badass- Hilary Swank

With music, we all have a song that hits personal to us. A song that helped us get through a rough patch, a song that gets us feeling happy, or a song that just gets us hyped and ready for anything. Joey Badass’s “Hilary Swank” Is one of those songs and instrumentals for me. It’s a really fast paced lush beat that goes from low to high but what really gets me is the groove and hip hop mix of the beat. The trumpet and drums that play around the chorus are my favorite part of Ever since I got introduced to Joey Badass this has been my favorite song and instrumental from him. I played this song when I challenged myself to go to a Joey concert by myself one time. I went to Lower Manhattan to Little Italy listening to this instrumental. Mainly because in the song Joey says ” I used take walks around Little Italy now I Rome around Sicily.” I probably should’ve told him that when we met at that concert haha but next concert for sure!

A$AP Rocky: LSD

The Last song I will talk about in this playlist is “A$AP Rocky’s” song “LSD.”  The song beginning with a slow melodic intro with the base. Following Rocky’s voice matching the slowness of the song. This is one of those songs I refuse to listen to a lot so I don’t get tired of it. When the beat drops it feels like the song gets more melodic and slower. As if you need to take in every second. I love that aspect dearly. To me this song is a night drive kind of song. Or in my case a night walk kind of song where there’s bright lights all over the place to get you in tune. I would actually like to walk in either New York or Japan like Rocky did with this playing to see how it feels. In my opinion, Rocky does justice with the music video which I highly recommend people watch. Definitely a trip. To Rocky, this was him experimenting with new different sounds and I would argue he did a pretty amazing job with it.


                Album Review: The Problem Child Back At it Again

My name is Christopher Latortue, but you could address me as Chris, Turtle, or even “La Tortuga.” Today we are going to be listening and reviewing an album by a controversial, menace to society hip hop and rap artist. The co leader of the group “Odd Future” “Tyler The Creator.” The man who has been banned from going to the United Kingdom because of homophobic slurs will be the one to bless our ears tonight. His fourth studio album “Cherry Bomb” has just dropped and i’ve heard many mixed reviews about it. I don’t truly know what to expect. Realistically, if you’re a Tyler The Creator fan, can you really have expectations with his music? Is there really a standard with Tyler? Probably not right? Well let’s jump in and find out!

The album starts off with what parents would see as obnoxious, definitely with the aggressive rant-like song knows as DEATHCAMP” And for the record everyone, I am not capitalizing the names of the songs for an aesthetic or to make the songs sound epic. Tyler really capitalized them like this. So please just bear with me on that one. “DEATHCAMP” in my opinion focuses on Tyler growing within his style of sound. Yet at the same time remaining the creative annoyance that people see him as. This was a perfect beginning to the album to me. Tyler stamping and telling the world that he will do the things he loves. If we don’t appreciate it nor like it then we need to piss off. His lyrics in “DEATHCAMP” “I don’t like to follow the rules, and that’s just who I am. I hope you understand.” Are a stamp on that statement. Following “DEATHCAMP” is the song “BUFFALO.”

BUFFALO” is probably one of the most important songs on the album. The song goes deep into Tyler’s mind about the controversy that gets involved with. This song reminds me of his style when he makes song with “Odd Future.” It also reminds me of his creative style and sound on his previous album “Wolf.” The forwardness as well as pace of the beat feel like a call back to his old music. It allows you to focus on Tyler’s words more than the instrumental. If you’re familiar with Tyler’s work this song might feel similar to his song “Rusty” on the “Wolf” album. Just like on “Rusty” he addresses issues and problems he had to deal with before the album’s release. Problems like the Mountain Dew commercial he had that got pulled. His use of homophobic slurs. Even though on “Rusty” he addressed he supports people who are lesbian or gay and used his friend and artist Frank Ocean as a prime example of his support. Though still gets viewed in the dark light. Other issues that have popped up like people seeing him as a devil worshipper. And even his views on himself being a leader to his fans. In “BUFFALO”  there are vocals from Shane Powers saying “Tyler, Tyler, I swear to fuck! If you fucking…. Do not fuck this up! You have the whole world in your fucking hands.”

Did you think Tyler’s aggressive type of sound was over? Well so did I so I guess we were both wrong. We go back to it with the song “PILOT.” The song has a back and forth transition with being aggressive and Tyler’s regular flow. Tyler’s voice also has a static effect due to rapping through a helicopter intercom. This to me is the point of the song with the name being “PILOT.” In the beginning I had asked if there were really expectations to Tyler’s music or is there really a standard. And the answer is still no yet I can speak for everyone when I say no one expected Tyler to have a song about gang banging and violence. Since he’s more about trolling and not involved with that type of crowd to begin with. Yet I guess in a experimental sound, it doesn’t hurt to try something new out. This is what he does with his song “RUN” featuring SchoolBoy Q. In the song there is a movie-esque crime scene. Tyler’s voice is more high pitched over a dynamic beat to fit the scene. SchoolBoy Q plays a major role in the song. He begins the song by saying “fuck you running for? Aye come here. Let me try that hat on. I told you to come over here stupid bitch. Come over here with that weak ass hat. Hats, mainly sport team hats and the color of the team are used by gangs to represent them. This might be what the hat in the song is referring to. Tyler matches the name of his songs to the main theme of them as well which I find to be very well creative and though out.

Fans, don’t worry. We all get a break from the rough and aggressive style thankfully. the album transitions to a more colorful bubbly jazz sound. The next song is “FIND YOUR WINGS.” For all you adult swim music block lovers out there, you may enjoy this one. I find this song to be similar to a Stevie Wonder or even a Flying Lotus sound. Mainly due to Stevie Wonder as well as Flying Lotus having a more bright, melodic, jazzy, and cool experimental sound. The song has a more inspirational turn to it which is unseen in the previous songs. My only disappointment came from how short the song is. It’s always the hidden gem songs on albums are that are criminally the shortest. Speaking of short, our short break from the aggressive sound ends. The next song “CHERRY BOMB” takes us back to the rough, aggressive sound that makes you think you’re in a mosh pit. A static sound overpowers Tyler’s voice for a certain extent. It moves towards a more edgy sound but is focused in a ranged transition. The pitch also goes from high to low with his voice. The song also goes from aggressive to smooth and vice versa.

As we continue our game of back and forth with the aggressive and smooth soft sound. We move on to the next song “2SEATER.” “2SEATER” is a sweet warm song that makes me think of just driving, cruising, and having a good time with friends or someone you love in the summer. A calm, upbeat, and relaxing sound that you’d hear in a movie. This trend continues with next two in one song “FUCKING YOUNG/PERFECT.” The titles of the song can already give a hint of what it’s about. With the bubbly sound of the song, I believe Tyler tries to make up for the sadness he feels. These two songs are about Tyler meeting and liking a girl who is five years younger than him. Though they like each other, Tyler can’t ignore the age difference and because of that knows they cannot be together and nothing more than friends. “FUCKING YOUNG” is from Tyler’s perspective. He says in this song “cause girl you’re perfect, but you’re too fucking young (for me). And when temptation calls my phone, I never pick up. And girl, you stole my heart but you’re too fucking young. And this is more than a crush, I just might be in love.” “PERFECT” is from the girls perspective. In the song, Tyler has Kali Uchis play the part of the girl and says “Boy I know, that we could be more than just friends, but you’re scared (I know). Both songs replying to each other show that both did have the same feelings for one another yet the age gap was too much for Tyler. When speaking about this song in a interview, Tyler stated “I wanted to make a song like Stevie Wonder’s “Innervisions” album. You listen to it in the 70’s, they get to the point. Although it sounds soft, Fucking Young is perverted and weird, but it’s true. There was this girl I liked, and we both had feelings for each other but there was a five year difference between us. It weirded me out, so I wrote a song about it.”

We end this album review with the last song. The most talked about song from the album. Featuring Kanye West and Lil Wayne, we have the song “SMUCKERS.” The piano opener to the song to me screams “ending.” The song balances the piano keys and Tyler’s voice before switching to a boom bat beat. The lyricism and flow executed between the three artists is truly something fun and wacky emphasizing Tyler’s style. Kanye West is also seen matching Tyler’s lush style of lyrics making the song more playful along addition of Lil Wayne’s creativity. An example of this is Kanye saying “And the Lexus pupp up err, like hip, I hopped out, like wassup? err-err-err, step back, hold up, my nigga, you suck. Hold up (Skrrrrt). Which is something most Kanye fans would rarely see from him. It sounds he was having fun being on the track. Lil Wayne continues the trend with his playful lyricism saying ” It’s Tunechi, homie, Master of Ceremonies. I knock em down, Domino effect, no pepperoni, I swaer.” and “son you need Jesus but I heard he left sunset to go on tour with Yeezus. Well, i’m praying for the new Yeezys.” Playing the story of Jesus a little bit as well well as Kanye who raps about Jesus from time to time.

Over “CHERRY BOMB” the album is a fun back and forth set of songs. In my opinion it is Tyler The creator’s best work creatively. One second it makes you feel like raving and shoving people with it’s aggressive sound. And the next it makes you feel relaxed and hanging out with friends. It’s a roller coaster of a album.


     Record Day: A Turtle Floating on a Bablo Boat

Bablo Boat” by “Royce Da 5’9 featuring J. Cole.” is my choice for Record day. I chose this song after finding out about Royce through Eminem and their song “Caterpillar.” Youtube recommended “Bablo Boat” to me right after hearing it. I was curious to hear what J. Cole would sound like with Royce and ended up being more that satisfied. What caught my attention at first was the soft instrumental. Almost like the beat was meant to relax the listeners. The song opening with a sample of “Mort Crim’s” narration in a documentary of the Bablo Boat amusement park. I thought that was a beautiful touch to a track. The transparent background voice in the background sounded chilling and spooky esque. Almost like a ghost in talking in the background. It adds on the the smooth sound giving it a psychedelic feel. The pacing starts off slow but speeds up as the song progresses. To me, this stirs away from most rap and hip hop beats. As I listened I focused more on lyrics from Cole and Royce repeatedly and noticed they both reminisce. Royce speaks about his personal experience with being on the actual Bablo Boat amusement park with his family. From his uncle’s crack addition, to his father and brother’s addictions. Royce even talks about how he lost his virginity on the actual boat. The boat has a place in his heart and was apart of his life. J Cole continues this theme talking about his past with his mother. Also mentioning talking about going back in time to change things and not focus on girls so much. J cole says in the song “we had no Bablo Boat, but I could note those times like a bible quote. B.C. before cell phones” I loved that line as he plays with B.C. meaning before christ. Cole saying life and the world was simpler and easier when the world couldn’t focus on social media and giving their lives to a technological device. I believe we can all relate to this and reminisce over simpler times.

Definitions:

Smooth: Easy on the ears, not harsh. Flat frequency response, especially in the midrange. Lack of peaks and dips in the response.

Pace: Often assoc. with rhythm, a strong sense of timing and beat.

Focus: A strong, precise sense of image projection.

Transparent: Easy to hear into the music, detailed, clear, not muddy. Wide flat frequency response, sharp time response, very low distortion and noise. A hear through quality that is akin to clarity and reveals all aspects of detail.

Mellow – Reduced high frequencies, not Edgy.

Laid-back – Recessed, distant-sounding, having exaggerated depth, usually because of a dished midrange. Compare “Forward”.

Lush (2) – A “lush” sound has a sense of warmth and fullness. Notes are more authoritative and have a sense of life about them. It is a sound free of any sibilance or brightness. It does not mean colored, however. It is an open and inviting sound enveloping the listener into its soundstage.

Smooth – Easy on the ears, not harsh. Flat frequency response, especially in the midrange. Lack of peaks and dips in the response.

Gentle – Opposite of edgy. The harmonics (of the highs and upper mids) are not exaggerated, or may even be weak.

Saturation – The point at which a magnetic tape is fully magnetized and will accept no more magnetization.

https://www.head-fi.org/threads/describing-sound-a-glossary.220770/

A Journey Thru My Semester

Introduction:

First off, let me start with saying that when i first enrolled in this class, I didn’t even know that this was a music class, I just needed one more english writing course in order to be done with my english minor and this was the only english class/section left. Later when it as the first day of class, that’s when i realized and found out that this is a music class. I had to double check my schedule to see if i’m in the right class. LOL. I felt like this wasn’t the smartest choice for me because in my previous taken music classes, i didn’t quite do my best, because i am not a music person, the only thing i do with music is listen to it sometimes. I’m not even up to date with the latest trends or listen to the stuff people listen to these days. Or so i thought. I learned from this class that everyone in this class has a different music taste. Not everyone is constantly listening to Pop Smoke or Lil Uzi. There are so many other artists that i never even knew about and learning about them was exciting. Just like i introduced the class to some artists i was familiar of, a legend from my culture and somebody who the entire world knows about.

Today in my portfolio i’m going to walk you all through……

—————————————————-RECORD CLUB———————————————————–

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Till last minute I was confused about what song choose for the record club, i was stuck between a Bollywood song and this one, but ended up deciding on this one. This is a song that takes me down memory lane, I remember i first heard this song in 201, during the summertime and instantly fell in love with it. My sisters and I would listen to this song on repeat for days! This was the first song that i have heard of Lana Del Rey, and then started listening to other songs too. When I heard this song in the Great Gatsby, it gave me another reason to love it even more, because I really admired that movie, and it perfectly sits with the 1900s setting as well.

One reason I love this song is because it gives an old era vibe, and i’ve always admired the songs of that era so this was something different. It was a present singer, making songs that made it seem like they were from the 60s or 70s. This song is so melismatic and airy, the way she sings it really sets the mood of summer, or like she’s flying or on the clouds.Her voice is so smooth throughout the entire song. The way the instruments are being played in the back also gives off an airy structure. I love how when she sings the part, “O Lord when i get to heaven….”, that’s probably my most favorite part of the song, the whole song sort of rise, the melody becomes louder. And then calms down at the part, “All that grace, all that body, all that face makes me wanna party….”. Then she rises up again and has a change of tone when she sings the last verse, implicating that the song has ended.

 

Airy: Lighthearted, graceful

Melismatic: Melismatic’ indicates one end of a spectrum; the other is ‘syllabic’, or one note to each syllable.

Smooth: without breaks between notes; smooth and connected

Melody: A melody, also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity.

Verse: In the countable sense, a verse is formally a single metrical line in a poetic composition.

—————————————–The Legend Of Qawwali —————————————————–

What is qawwali? Qawwali is a style of Muslim devotional music now associated particularly with Sufis in Pakistan. It’s also considered classical music or even somewhat acapella, because sometime the instruments wouldn’t even be necessary for the singer, his voice would have enough music to keep the song going. I was introduced to this sort of music back when I was 5-6 years old, and at the time every time my dad would play it in the car or in the house, my sisters and I would start whining about how trash it is, because we wouldn’t understand the lyrics of it. And instead, would make fun of the way the song is being played, and how dramatic the singer is because of his extremely long intro of “ahhhhhhh” with absolute no other lyrics. But now…oh my goodness, I could listen to this music all day long, depending on the mood obviously. From the lyrics to the beat of the ‘qawwali’, everything just makes you swoon and go “WOW, just wow, how did these people even come up with lyrics/poetry like this. It blows my mind.”

The very first qawwali singer that I was introduced to, was Nusrat Fateh Ali Khan aka NFAK and it’s his music that i will be introducing to you all today. World renowned qawwali singer, there were people who started worshipping him because of his words and songs. He was almost like the Michael Jackson of the Pakistani music industry, Bollywood wanted to start using his songs for their movies, he also sung some songs for them. And Bollywood till this day are remaking his songs, by completely changing the music yet keeping the lyrics.

Tumhe Dillagi Bhool Janey Parey Gi

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The first qawwali that I’m introducing you to is his most famous one called, “Tumhe Dillagi Bhool Janey Paregi” (you will have to forget all about infatuation). His qawwali wasn’t the normal song duration, it would go upto 16-20mins, some even longer. This song is 16mins long and he would sing all this live. The verses of this song are just exceptional. His music is very repetitive, but you don’t get tired of listening to it. And the only way to admire and appreciate his music is if you can understand what he’s talking about. There’s this stanza in this song that says, “zakhm pe zakhm kha ke ji, apne lahoo ke ghoont pi, aah na kar labon ko si, ishq ha dillagi nahi”, (stay alive, torment after torment…take a sip of your own blood…don’t object, seal your lips, this is true love not infatuation!) And at another time he says, “kuch khel nahi hai ishq ki lag, paani na samaj ye aag hai aag”, (love is not a game, don’t mistake it for water, it’s a sea of fire!). The simile that he uses in this verse is just WOW, so, he’s basically singing about how love isn’t something that could/should be taken granted for. It’s not easy to love, it’s a challenge, an extremely difficult one to love somebody. He compares love to a sea of fire and in order to love somebody truly and deeply you have to dive into that sea of fire. This qawwali has come into many new forms for today’s era with a new tune and a new song structure but nothing beats the old one.

Ankh Uthi Mohabbat Ne Angrai Li

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All I want to post for this song is….

Tanhai Mein Faryaad Toh Kar Sakta Hoon
Veerane Ko Aabaad Toh Kar Sakta Hoon
Jab Chahoon Tumhe Mil Nhi Sakta Lekin
Jab Chahoon Tumhe Yaad toh Kar Sakta Hoon
——————————————————————
In loneliness, I can plaint
Some may define this as a prayer or request being made to God
A desolate place I can bring back to life

When you want, I cannot meet you, however
when you want I can think of you
——————————————————————

Achi Surat Ko Savarne Ki Jaroorat Kya Hai
Saadgi Mein Bhi Keyaamat Ki Ada Hoti Hai
Tum Jo aa jaate ho Masjid mein Ada Karne Namaaz
Tum ko maalum hai kitno ki Kaza Hoti Hai
——————————————————————
What is the purpose in adorning your beautiful face
there can be greatness in simplicity
You , who comes and goes …
to the mosque to offer your prayers
are you even aware of how many peoples prayers are disrupted

…. I hope you all can comprehend this. This is one of my very favorite poetry of his. I never knew where this came from, I had read it on Instagram before, until my husband played this song the other day and I was like OMG THIS IS WHERE THIS POETRY IS FROM! I was so happy to have found this song, I didn’t even know this was from a song of his. When he says, when you come to the mosque to say your prayers, do you even know how many prayers break by looking at you. So in our religion a man isn’t allowed to look at a woman with lust in his eyes, it’s considered a sin as woman are considered a very pure kind. So when someone goes to pray it is important for him to cleanse himself, whether that your face, feet or even eyes and keep his lustful feelings behind and then offer prayer. But NFAK is describing the beauty of his lover as someone so beautiful that when people look at her they are unable to stop themselves from looking at her and by doing so they tend to break their prayer. Bollywood has recently come out with a very new version of this song and honestly, they just ruined it. They did not do justice with this song! I sort of wish they had never renewed this one. The main chorus, the singer failed to pronounce the word “uthi” correctly and instead it sounds like “kutti”, which means b**** in English.

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Ye Jo Halka Halka Suroor Hai

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My all-time favorite song, the qawwali version and the song version that a Pakistani singer sang. Both, I can never get tired of. I had listened to the newer version before the old version and instantly fell in love with it. Such an emotional song, and the singers voice, Farhan Saeed is so soft and soothing, just makes you want to listen to it all day long. The tone and music of the new version is completely different than the old version, but the lyrics remain the same. The original song is almost 20 minutes long, whereas the newer version is just 4 mins and 22 seconds. My favorite lyric from this qawwali is “na namaz ati hai mujhko na wudhu ata hai, sajda kar leta hun jab samne tu ajata hai” which means, “nor prayer nor ablution do I know, but I prostrate when you come before me”. I love how he expresses his love for his lover to the point where he brings in his religion. He’s describing his love by saying that “i don’t know how perform ablution before my prayer, hell i don’t even know how to pray yet my love for you is so deep that i fall on my knees and fall into prostrate position.”  I absolutely love the ending of this qawwali, when everything sort of tones down and NFAK calmly sings and finishes it off. The newer version that Farhan Saeed sung has a very soft tone to it, and he’s complaining to his lover that because of your love, because of you i have become an alcoholic.

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—————————-Beyoncé’s Performance at Kobe’s Memorial——————————————-

2020 started off with a very tragic start. We lost a legend of basketball, along with a possible future legend, Kobe Bryant. I may not know a lot about basketball, but I did realize that he was loved by thousands and thousands of people all across the globe. We couldn’t believe what had just happened.When the news first broke out in my house; we couldn’t admit to the fact that he was gone. Like many others, we thought it was just another rumor passing around until officials confirmed it. Kobe Bryant and his daughter Gianna Bryant passed away in a helicopter crash along with the others on board. In his honor, his wife, Vanessa Bryant held a beautiful memorial for him, where majority of his fans, celebrities and other athletes gathered in his remembrance and celebration. There, Beyoncé performed a very heartfelt version of “XO” and “Halo”. She created a very symphonic atmosphere, sending chills down everyone’s spine. And I think no one could’ve done it better than her.

Beyoncé paid her tribute to Kobe with an opening performance at the memorial, dedicating the song “XO”, because she said it was one of Kobe’s favorite songs, following with “Halo”. She performed with a group of orchestras and a choir which made the performance much more heavenly. She started singing and then she stops and starts again saying that she would love everyone to join her and show their love to Kobe. Her voice is very light and airy when she starts XO, having the choir repeating after her, creating a gospel effect.. There’s so much feeling and love in her voice as she’s singing; you can literally feel the emotions thru her performance. Slowly the violins jump in, creating a louder sound effect, growing the performance, adding on towards the climax of the performance.

You can see her coming in and out of the performance, she’s truly thinking of Kobe and reminiscing her memories with him. And then continues with her grieving smile on her face. When she reaches the chorus, the music gets even louder and so does she. Her voice gets louder, along with the orchestra and the choir. That moment when she sings, “in the darkest night I’ll, search through the crowd, your face is all that I see, I’m gonna give you everything”, I listened to the whole performance a good couple of times and each time I heard it, I got the chills. It sounded so personal — so direct towards Kobe, almost as if it was written for him.

She goes into the second stanza and the violins jump back out, causing it all to tenor down again, just like how the first stanza began. She goes, “we don’t have forever”, which fits so perfectly for the purpose she was singing for. Shows it in her face too, almost like it hurt singing those words. The orchestra and herself gradually grows louder, she gets more energetic and puts the energy with everyone she’s performing with. She hits every note so perfectly and on point it makes your heart sing. That pause in the choir and the orchestra creates a heart-dropping effect, with the thumping after every verse following with the choir and then she carries on so delightfully and smoothly. The choir creates such an enchanting harmony to the entire performance. Everyone joins towards the end of XO and then the orchestra slows it down again and you can hear the violin creating an almost saddening effect. Sad enough to make anyone cry or if not cry, emotional. Then she transitions into Halo with the piano.

Her transition is so smooth, it doesn’t ruin the mood, or lose anyone attention. The music for halo slowly starts coming in and Beyonce takes it away again.The addition of the violins when she says the first “halo” just gives holds your heart down. Then the rest of the orchestra comes in  and the choir with full energy. The choir starts getting pumped as Beyoncé is really getting into the performance. That pause again creates such a strong effect. It’s like your heart stops and then starts beating again with a heavier beat. Every note she hits toward the end of the performance is just exceptional. The drums and the piano supporting her towards the end and she so beautifully finishes her performance by holding her note. And ended by blowing a kiss towards the sky.

She gave a whole new context to both the songs, especially XO, by performing it at the memorial. Whenever I listen to this song it would remind of summer 2016 but now whenever I will be listening to those songs, it will remind me of Kobe’s memorial and her performance on it. It will remind me of how beautifully this was dedicated to him, almost as if the song was personally written for him. This performance was a beautiful way to start his memorial, she expressed feelings for everyone who was and wasn’t present. It made hearts and eyes teary, it was so full of love and emotions, everyone felt it in their hearts. The song was meant to be sung for that moment, it was almost as if it was written just for him, for me that is Kobe’s song now. She made it his.

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—————————————————-Acknowledgments——————————————————-

Professor Jason, My husband, My mother, Lana Del Rey, Nusrat Fateh Ali Khan, Farhan Saeed, Jubin Nautiyal, Beyonce, Kobe, Vanessa Bryant.

 

 

 

 

 

 

 

 

 

 

 

 

Music That’s Made Me

Record Club Introduction
I felt pressure to find the perfect song for record club. I thought I settled for this Jungle song but I realize that I really did pick the perfect song. To revise, I attacked it with the attitude that this is the perfect song that deserves a damn good analysis. Although there is a lot to discover and discuss, I think I touched on the most quintessential Jungle aspects.

“Cherry”

       For record club I chose the song “Cherry” by Jungle. I find Jungle to be a fascinating band. They started as a minimal band of just two men working mostly with electronic recordings but they chose to expand to a seven-piece band when performing live. They said it was important for them to “be a collective energy” on stage and bring that to the audience when performing. Because of this they are regarded as an incredible live band — I can vouch for that. There are at least 4 vocalists that sing on every track which creates these incredible, full harmonies. The two front men primarily sing in falsetto voices which contrasts in a very apparent way to the deep bass and warm music. It’s a feature that defines almost all of the music by Jungle.
      Jungle begins by easing you into the tempo of this song; they start with a fast bass line that settles into a slower tempo and sustains the rest of the song. I found that a really interesting and attention grabbing way to begin a song. This song has seismic qualities; the low bass makes you feel just as much, if not more, than you actually hear. The duo has said that they wish to “create a world” with their music to make it an experience. When I listen to this song with headphones I personally feel like I am immersed in the world of Jungle. 
       When I was looking for the exact genre of the band it was difficult to settle on just one or two. There are so many different genres they fall into that one reporter went as far as to say they are “undefinable.” I feel that the genres funk, neo-soul, and electronic are best able to describe their unique musical style and sound. I love the use of electronic non-instrumental sounds that they incorporate into their music. They combine those, a deep bass, and repetitive lyrics to create something hypnotic. One of my favorite parts is during the bridge there’s a synthesized effect on the lead singer’s voice. I felt that the sparing use of voice synthesizing in this song made that moment in the bridge that much more alluring.
        The lyrics, although repetitive, are powerful. “You’re never gonna change me, I was already changing” is a powerful sentiment about growing on your own and finding yourself. “Flowers in the garden that won’t grow. Flowers on the train, it’s not the same. Life won’t grow if we never change.” My interpretation of these lines is that as we grow as people our ideals and desires change and we have to be aware of this and accept it. There is this cliche idea that we should all grow up and have a nice house with a garden, picket fence, etc. but that’s not true for everyone. Some people can’t grow a garden, they settle for buying a house plant for their apartment and although it’s not the same it doesn’t mean it’s wrong. If we don’t adjust our opinions and expectations then we start to tread water, but opening yourself to something new even if it’s not what you expected will allow you to grow and push you closer to a happy life.
Terms:
Electronic: Music primarily created using electronic musical instruments or electronic music technology. 
Falsetto: Male voice above usual bass or tenor range, an effect accomplished by using only half of the vocal cords.
Funk: Genre focused on strong rhythmic grooves of basslines. Typically consists of a complex groove with rhythm instruments playing interlocking grooves.
Harmony: When two or more individual notes are played simultaneously to form a cohesive whole.
Hypnotic: Anything mesmerizing or spellbinding. Readily holding the attention.
Neo-Soul: Style of music that emerged from soul & contemporary R&B. Distinguished by a less conventional sound than contemporary R&B with incorporated elements from funk, jazz fusion, hip hop, etc.
Seismic: Very low bass that you feel rather than hear.
Sound Synthesis: Shaping and modulating sounds using components like filters, envelopes, effects, etc.
Tempo: Time, the overall speed of a piece of music.
Warm: Good bass, adequate low frequencies
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Performance Review Introduction
I was initially overwhelmed with the enormous amount of options for the performance review. I went through lots of NPR Tiny Desk Concerts and this one stood out. Aside from how strange it was to see a band in bubbles, my brother and his bandmate (my basically other adopted brother) were obsessed with The Flaming Lips. They tried to make their shows as crazy with confetti and huge balloons but there’s no comparison, obviously. It was the first time I really listened to their music. I’d heard it plenty before but I never really listened. Revising this piece mostly involved trying to describe the music in ways that did them more justice. It is passionate and full of feeling and I wanted to let the reader know that.

The Flaming Lips Reimagined

          In their NPR Tiny Desk Concert, The Flaming Lips perform in separate plastic bubbles that they’ve used at their concerts for decades. Through the dirty scuffed up plastic we can see them only from a distance — blurry and warped. For a band that typically thrives with audience participation and props such as hundreds of 6 foot balloons bouncing around in the audience, light shows, mounds of confetti, and the occasional life size unicorn riding through the crowd, they managed to adjust to a minimalist performance very well. 
        The Flaming Lips curated a set list of solemn songs which speak to most of us as we continue to struggle through the current pandemic. Beginning with a song off their new album American Head, “Will You Return/When You Come Down,” they encompass the elusive feeling of dread. Beginning with an eerie xylophone melody, it eases up for lead singer, Wayne Coyne, to sing “all your friends are dead / and their ghosts / floating around your bed.” Although this ballad is about drug abuse, it’s painful sentiments are just as applicable to our current everyday lives. Throughout their performance they curate a haunting feel with their rich gospel-esque harmonies.
          Going back to their 2013 album The Terror, they perform “Be Free, A Way,” but not before Coyne vulnerably explains how he feels this song is appropriate considering he wrote it when he was suffering through the only major depression he has experienced. The honesty and hurt is arresting as he sings in his raspy voice “how can we be free / when all our days are empty.” Steven Drozd, the keyboardist and second vocalist acts as the response to Coyne’s call, building a ghostly trailing echo of vocals. The synthesizing of Drozd’s voice adds an element of dreaminess to the music, producing a surreal effect that The Flaming Lips often evoke. Singing about the inability to be truly free, the band members in their bubbles cannot take more than a step or two in any direction. As an audience we can sympathize with the suffocation and constriction that they are physically experiencing. Really, we are living in our own bubbles of isolation. The band is just acting as the reflection of our own currently restricted lives.
          Playing an older song of theirs, “It’s Summertime,” The Flaming Lips end their performance by trying to propagate some hope. Full of catharsis, this more uplifting song offers that, “though it’s hard to see it’s true possibilities” it is summertime — metaphorically that is. 
          Overall, this performance is radically different from the extravagance we’ve come to expect from the band. They altered their exorbitant show into an appropriate intimate performance which makes the viewer feel like they’re speaking right to you; patting you on the back saying times are tough and we all feel uneasy, but that’s ok because soon enough it will be summertime again.
          As the darkness begins to turn to light with the pandemic, The Flaming Lips are putting on “space bubble” concerts where concert goers are confined to their own individual bubbles holding up to 3 people. It certainly is strange and could only have happened due to extreme circumstances; but then again who knows what The Flaming Lips would have concocted in the future?

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Memoir Mixtape Introduction
To be honest, when I began this project I was in a bad funk and when you’re in a depression it’s easy to remember all of the other depressions. The first draft of my memoir mixtape was very sad. After my recent funk lifted, I re-read it and was somewhat horrified at how dismal I made this time in my life out to be. It was an incredibly challenging and sometimes even debilitatingly depressing time but it also fostered some of the best moments of my life. I needed to go back and rewrite this to show that side too. It’s unfair to ignore all of the glorious moments I had because the deceitful voice of depression was louder for a moment — if we let that voice overshadow the good, that is how depression wins. The revised mixtape is profoundly different. I feel it gives a truer picture of my younger self.

Mania, Depression, Production, and Music

After graduating high school I took a year off to pursue a career in film production, a career that I had already been working at since I was 14. As a spirited 18-year-old, I was working 14 hour days on set with a 90 minute commute back home to Long Island. When the commute was too much or the trains stopped running for the night, I would stay at friends or crew members apartments. I would loiter in Union Square on Thursday and Friday nights where large groups of young people, who were all older than me at the time, would congregate to celebrate being young and free; playing music, hacky sack, skateboarding, and stealing trendy beers from Whole Foods. It was a fun, chaotic, experimental, slightly irresponsible, sometimes simply stupid period in my life to say the least. 
But the undiagnosed bipolar disorder raging in my brain was driving my regularly occurring erratic behavior. I was manic. I thrived on set and in the editing room. Then I would crash. Hard. I would come home and cut myself — bandages were dismissed as the cost of working a physically laborious job. 
Music was constantly blasting in my headphones to drown out my own self-destructive thoughts. But music was also a trigger. I felt music so deeply and personally; a single song could alter my mood like turning on or off a light switch. A bass line could make my heart race, a verse could talk me off the ledge and a great bridge could push me off. This is a mixtape from a very specific time in my life. A time that I can only half remember because depression tends to black out memories. But certain songs held onto those memories for me.

OKGo – “There’s a Fire”

I went to every OKGo concert in New York City between 2013 and 2016. The only reason I stopped is because they stopped touring. They were and still are one of my favorite bands.
“On the count of three we’re all gonna stomp. One, two, three…” Front man Damian recorded the audience stomping, clapping, hissing, and clicking on a looper connected to an iphone. Then the drummer tapped at the screen using the audience’s sounds to create the beat of their song “There’s a Fire.” It’s slightly off beat syncopation is uncomfortable — something is a little wrong. Aptly, this song is about a boy who cried wolf. “I mean it, there’s a problem here / this time it is for real / how can I make myself more clear?” “There’s a fire / there’s a fire” and there really was. This song epitomized the back and forth in my mind about if I was actually in crisis, and how do I tell someone when I’ve pretended to be ok for so long?

Outasight – “Change The World”

This was the first music video I worked on as a second assistant camera person. I was friends with the director of photography, John. He got me most of my work in the camera department; I truly owe that part of my career to him. I was 18 then. It was a really small shoot, I don’t even think I was paid, I was just happy to be working. The song is super upbeat; it’s about taking on the world. It was strangely appropriate for my first shoot — it energized me. This shoot made me realize that for any music video I would ever work on, I would eternally know all the words to that song. For better or worse. 

Paolo Nutini – “Cherry Blossom”

It was the most beautiful day — summer in the city and I was on an upswing after a bad depression. I was a production assistant on a mission to pick up a fog machine from a prop house in Brooklyn and deliver it to Long Island City. I listened to “Cherry Blossom” on loop almost the entire hour and a half trip. It’s airy, much like the day itself was. Paolo Nutini’s transparent vocals sail parallel with a steely electric guitar. Blue-eyed soul widened my own hazel eyes. On the cab ride back we drove under a canopy of cherry blossoms. It was a moment of bliss bathed in blush flowers.

Hozier – “Someone New”

New York City is for romantics. I’ve fallen in love over 1,000 times — 995 of those times lasted less than two days. Hundreds lasted the amount of time the A C E takes to get from Penn Station to West 4th Street. 

Regina Spektor – “Eet”

“Someone’s deciding whether or not to steal / he opens a window just to feel the chill / He hears that outside a small boy just started to cry” I was both the boy and the ‘someone deciding.’ No matter how depressed, disconnected, or numb I was, a sharp chill could ground me — at least for a moment.

Tame Impala – “Feels Like We Only Go Backwards”

I was the 2nd assistant director on a feature film called “From Nowhere.”  I was working under a famous Australian actor who was trying to branch out into directing. He only drank lemonade vitamin water zero which is harder than you’d think to find in the Bronx. I was only 19 at the time. Is that a shameless humble brag? Yes. But it also indicates how fucking surreal my life was. I had a crush on this sound guy that was working on the film. I smoked pot for the first time with him and he showed me this Tame Impala song. Psychedelic pop is ideal for your first high. The song made me feel like I was falling backwards infinitely through a hypnotic spiral. 

Sia – “Chandelier”

My cousin Katie showed me this song when it came out. We tried to see if either of us could hit the high note in the chorus. We couldn’t. Listening to the song later I realized how tragic and relatable it felt to me. My mood swings were so fast and fierce I was “just holding on for dear life / won’t look down, won’t open my eyes.” I was afraid to see how far the fall could be if I let go.

Cold War Kids – “God, Make Up Your Mind”

Cold war kids have a chaotic sound and energy that can somehow express both depression and mania. As an 18-year-old undiagnosed manic-depressive, couch surfing around New York and running on coffee, cliff bars, and anxiety, Robbers & Cowards was my soundtrack. The ominous build and slow crawling vocals of “God, Make Up Your Mind,” spoke to this apathetic darkness in me. I distinctly remember walking from the editing office I was working at to the subway. I was walking along 27th street in Astoria and stopped at a crosswalk. I remember closing my eyes and feeling the hostile wind gusts of cars rushing by. I was strangely tranquil.  “Your stomach feels the emptiness of death” moaned into my ear. I thought about suicide; how easy it would be to step into traffic… but the light turned green.

Krishane ft. Shaggy – “Money Can’t Buy No Love”

I worked on the music video for this song. The entire music video ended up on the cutting room floor like a surprising amount of projects I’ve worked on — I guess that’s just show biz. I always hung out with the grips, those are the guys who do pretty much all the heavy lifting. There is a stereotype that grips just sit in the grip truck smoking weed and come out sometimes to move some C-stands around. I loved their energy of not giving a fuck and I wanted to be like that since I was suffering from a serious case of giving too much of a fuck. It was a super hot and humid July day in Brooklyn. I was literally running 2 blocks away from the set to grab a lens to run right back. There was a cooler near the grip truck and it strangely had orange fantas so I took one. I was then warned by a group of people that those are “Smitty’s fantas.” Smitty was apparently a veteran grip who was so good at what he did that people catered to him, hence the specially purchased orange fantas. Later, I was approached by the infamous Smitty who gave me a hard time but it was all in good fun, we became friends. There was another grip that drove me and some equipment over to set later in the day. He asked my name and I had just watched this old Jack Nicholson movie where someone asks his name and he said it’s “badass.” Thinking I was cool I said “sometimes I go by badass.” He laughed pretty hard and then said, “I like that, ok badass.” Next thing you know the grips are all calling me badass. Looking back now that was such a dumb 19-year-old thing to say. At least I made an impression.

This is Krishane and myself standing in for a shot.

 

This is the small group of people on this Earth who call me “badass.” That’s Smitty on the left.

Rooney – “When Did Your Heart Go Missing?”

Rooney has a real Cali livin’ kind of vibe. They put a California filter over my sometimes gloomy New York lens. I knew how to play all their catchy riffs on guitar. Nailing one was like some auto dopamine dispensing button. One of the most unreal things that happened in my film career was when a friend flew me out to L.A. to be the assistant camera person on his senior thesis film. I made a playlist for the trip and 80% of it was Rooney. I always daydreamed about moving to L.A. to be a director and listening to Rooney as I cruise down the pacific coast highway. 

The senior thesis shoot in L.A. 

CL – “Lifted”

This is another song that I worked on the video for. This song reminds me of hot Brooklyn summer days. I was walking some equipment past the grip truck when some yelled “OH SHIT IT’S BADASS! YO SMITTY BADASS IS BACK!” I almost fell to the concrete laughing and we had a nice handshake/hug moment. It’s one of my favorite memories from my production days. 
This song is about getting simultaneously drunk and stoned aka ‘lifted.’ We had at least 20 extras for a shot where they’re all drinking 40s on a basketball court and somehow they ended up with real 40s. So there we were with a bunch of drunk extras that we now had to deal with. A man with an ices cart decided to take advantage and parked next to the court. Production ended up paying off the cart guy so we can all have ices.

Anna Shoemaker – “Too High”

This was one of the last videos I worked on before my still ongoing hiatus. I was just about at my breaking point with my bipolar. I remember crying in the bathroom, I don’t even know why. I really liked the song and I think it triggered something in me. The varying dynamics between the vocals and instruments made me feel surrounded and it overwhelmed me. Fluttering echoes reverberated in my chest. It was a tipping point. I felt so much and I just didn’t want to anymore. I had to step away from it all.

Talking Heads – “This Must Be The Place”

If I could show teenage Salia any song it would be “This Must Be The Place.” There is so much happening in this song but it comes together as one cohesive piece. It reminds me of the complexity of being human. Synthesized keyboards create an abundance of sounds like delicate flutes, marimba, xylophone, strings — every time I listen I hear another sound I didn’t hear before. Ultimately the complexity is what makes it beautiful. I first heard “This Must Be The Place” about two years ago when my boyfriend showed it to me. It makes me feel warm and loved. I would say this song marks a positive transitional period for me. I found a place where I’m okay, where I can better outlast the depressions and tame the manias. This must be the place they’re talking about.

 

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Acknowledgements:

  • Thank you Professor Tougaw – Aside from teaching me how to write about music, you introduced me to many other writers who teach me as well. I was hugely influenced by the writing of Hanif Abdurraqib.
  • To my mom who got me involved in production and my dad who supported me.
  • To the co-workers/friends from my production days: John, David, Katie, Matt, Kevin, and Smitty to name a few. Shoutout to Shaggy who held the door open for me while I was carrying $60,000+ worth of lenses.
  • To the bands OKGo, Cold War Kids, The Flaming Lips, and Jungle amongst others.
  • To Huse who supports me in my recovery and shows me tons of new music even when I don’t want to hear it.

A Musical Time Capsule: My Portfolio

Intro

I was skeptical about taking this course when I heard it would be about writing about popular music. I am not trendy. I am not entirely up to do with modern fads or the latest popular doodads and what not’s. I can’t tell the difference between Lil Nas X or Lil Uzi because I have no idea who they are. However, I do know who Lil Jon is – what? Yeah. Okay. I didn’t think I could keep up with the class if it meant digging deep into today’s popular artists and musicians. I also didn’t want to be judged for my musical interests. It’s really hard to tell someone that I like Eminem because they immediately believe I’m homophobic or that I abuse women. It’s hard to tell people I was a fan of Marilyn Manson from late 2002 until 2007 because they believe I am ready to be the next school shooter – it also doesn’t help that he was recently accused of harming and raping women. System of a Down is so long ago that most of the younger crowd hardly knows them or who they are so why bother to explain that I enjoyed their music for a short time?

I went into this course with nothing to bring to the table and no pattern on what my work might be about because of the fear of being judged. When I heard about record club, I was even more concerned because I wasn’t sure what to present to the class. I had no options for record club the day I was set to present. Any idea I had meant that I would potentially lose the ability to tell a story later on if we had to write about music. I debated for days and had no clue what to present. It was down to the wire and I ended up flustered with no ideas. The idea hit me while watching television.

Earlier in the summer, I had started yet another binge watch of The Sopranos. I had a tradition of watching The Sopranos every September since the show ended on June 7th of 2007. During my most recent binge of the show, I lost track because of work and class. I decided to relieve some stress by finishing the episode I had last watched. The ending of the episode saw Tony egg his sister on until she attacked him. He casually walks out of her home and we had that guitar beat kick in. It was a live version of The Kinks “I’m Not Like Everybody Else.” It was my favorite closing scene of the entire series and it was all because of Tony’s demeanor as he walked out of the house while that song played. It was at that moment I realized I needed to use that song for record club. I did not want to use anything modern, as I did not know much about modern music. I didn’t want to use an artist that might offends others. This song was perfect because I could relate to lyrics. That was how my idea for record club came to fruition.

It was real easy to write an album review when I had heard that Eminem’s “Til’ I Collapse” had reached a streaming milestone around the time this course began. The Eminem Show is my favorite album by Eminem. I will even go so far as to argue that The Eminem Show and The Marshall Mathers L.P. are both my number choices for favorite albums by Eminem. However, I am more partial to The Eminem Show because it was his first album I bought upon its release since I had only became a fan of his in December of 2001. When The Eminem Show released, I played it on loop for hours on end and learned all the lyrics within a week or so. I sang along with that album for so long that my friends got tired of it, and me, quickly. I knew that album backwards and forwards and it streaming milestone was coincidental but had excellent timing.

The radio station project was another difficult project to bring to life because I didn’t have enough ideas. Originally, I wanted to use songs about being stalked or watched. I have no privacy at home and had a few ideas to use regarding the radio station. The following is a list of songs I originally wanted to use for this idea:

  • “Eye in the Sky” by The Alan Parsons Project
  • “Somebody’s Watching Me” by Rockell
  • “The Hellion/Electric Eye” by Judas Priest.
  • “Every Breath You Take” by The Police

At this point, I ran out of songs to use and had no way to fill a 60-minute radio station. Instead, I decided to make the radio station autobiographical. Being autobiographical gave me more freedom to choose an abundance of songs and have stories attached to them. I had no idea about the final project being a memoir mix tape. I didn’t even know what a memoir mix tape was. If I had been aware of the final project being what it was, I probably would not have made the radio station the way I did. The radio station was a challenge because I was once told I “have a face for radio and a voice fit for silent films.” It took me several hours of recording and deleting my voice before I sat down and compiled a script to read from. Even then, I was nervous and stammered frequently until I made it at least halfway decent.

The memoir mix tape was easy to work with because I had so many ideas left over from the radio station. Originally, I had roughly two and a half hours worth of material for the radio station left over. It became abundantly clear to me that I could use that material in my mix tape. I even went so far as to make a list of a few years where I heard a lot of new music and thought of using only those years in particular. This was by far my favorite project and the perfect continuation/sequel to the radio station.

 


Record Club: I’m Not Like Everybody (Live 1994) By The Kinks

I want to be honest and begin by saying that I struggled to find the “right” song for Record Club. I know music is subjective and what is right for me may not necessarily be right for someone else. I know that some music is not for everyone. I also struggled with the idea of posting a song that sends a positive message or that bring light to issues we still face today. It was tough to come up with a song. The song “I’m Not Like Everybody Else” by The Kinks was not my first choice. The song itself was definitely on my list of songs to use for Record Club but it was actually my third or fourth choice. As cliché as it will sound, in the end I decided to go with this song because I didn’t want to be like everyone else. Deciding which version of the song to use was much easier.

The song was originally released as a B-Side to the single “Sunny Afternoon” in 1966. The original version of “I’m Not Like Everybody Else” runs at roughly three minutes and twenty-nine seconds. This version of the song has a much faster tempo and has a more upbeat tone  that embodies the Pop sound of 1960’s Rock. The version I used for Record Club is a live version recorded during The Kinks US and UK tours in 1993 and 1994 and released on the album To The Bone. The live version is slightly reworked with an extended intro and some changes or modifications to some lyrics. The intro to the song contains an instrumental that begins seventeen seconds into the track and runs at just about one minute and sixteen seconds and also extends the outro with a roughly one minute long instrumental. The whole track contains a slower tempo and the instrumental intro provides a more gritty sound as the lead guitar plays the main riff with a rougher sound that is more typical of the music scene of the 1990’s. The vocals are incredibly different as well. Ray Davies’ live vocals sort of compliment the lyrics of the song. Ray Davies voice sound more mature and at times sounds almost raspy or hoarse especially when he sings the chorus versus the more relaxed tone of the individual verses. Fans have speculated that the reason Ray Davies sound was different was because of tension within the band that may have been attributed to a decline in their commercial success.

I chose “I’m Not Like Everybody Else” because of how much the lyrics resonate with me. I live in a toxic environment where I have often been compared to others who, in my opinion, are not exactly as desirable as some may believe. Far too often I was surrounded by people who demanded I do things as they say; get the job they demanded or listen to the music they demanded or dress how they demanded and in truth, for most of my life I felt like I did not and sometimes still don’t have my own identity. I first heard this song way back in 2004 when it played during the end credits of the Sopranos season five episode “Cold Cuts.” The scene shows Tony instigate an argument with his sister Janice. She chases him around her dinner table with a fork as her husband stops her. Tony smiles, and walks out of Janice’s home when the song begins. There was something about the song itself and the lyrics that set such a juxtaposing tone to the scene. Here we see Tony walking down the block while a woman rakes her front lawn, a man walks his dog, two teenage boys walk past Tony while a couple power walks in the background. We the viewers know that Tony is definitely not like everybody else. I thought the scene was brilliant and immediately downloaded the song. It wasn’t until a few years later when I actually read the lyrics that I realized the song was very much anti-conformity and defiant and it felt like my personal problems at home were written in this track.

Terms Used:

Tempo: The speed of the rhythm of a composition. https://www.freemusicdictionary.com/definition/tempo/

Tone: An interval consisting of two semitones, that is a whole step. The particular sound of an instrument or voice, as well as the performer’s particular coloring of that sound. https://www.freemusicdictionary.com/definition/tone/

Intro: opening section. https://www.freemusicdictionary.com/definition/intro/

Outro: a short, distinct closing section at the end of something (such as a piece of music, a performance, or a news report) https://www.merriam-webster.com/dictionary/outro

Lead Guitar: The part played by a guitar soloist in a rock band. https://www.freemusicdictionary.com/definition/lead-guitar/

Riff: In pop and jazz compositions, a short ostinato, two to four bars long. A riff is a prominent feature of jazz music. a short musical phrase in jazz or blues. it may be repeated often during a piece, with changes to the key, rhythm or melody<br><br>A short melody repeatedly played in a tune often with variation between vocal lines. https://www.freemusicdictionary.com/definition/riff/

Verse: Solo passage from the Gradual which precedes the response. See respond. In poetry or song, a verse is a group of lines which constitutes a unit. Often there are several verses in a single text, and usually the rhyme scheme, rhythm, and number of poetic lines and feet are the same from verse to verse in a single text. a line or stanza. https://www.freemusicdictionary.com/definition/verse/

Genre:

Pop: Pop is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms popular music and pop music are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop encompassed rock and roll and the youth-oriented styles it influenced. Rock and pop remained roughly synonymous until the late 1960s, after which pop became associated with music that was more commercial, ephemeral, and accessible. https://en.wikipedia.org/wiki/Pop_music

Rock: Rock music is a broad genre of popular music that originated as “rock and roll” in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew heavily from the genres of blues, rhythm and blues, and from country music. Rock music also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. https://en.wikipedia.org/wiki/Rock_music


Album Review: The Eminem Show (2002)

            “’Til I collapse I’m spillin’ these raps long as you feel ’em

‘Til the day that I drop you’ll never say that I’m not killin’ ’em

‘Cause when I am not, then I’ma stop pennin’ ’em”

Eminem, “Til I Collapse”

Racist. Misogynistic. Homophobic. “G.O.A.T.” For over 22 years, Eminem has been no stranger to various labels – both positive and negative. Although he released his debut album, Infinite, in 1996, Eminem did not become a household name until 1999 with the release of The Slim Shady L.P. Under the guidance of Dr. Dre, Eminem went on to reach worldwide critical fame and commercial success with hits such as “My Name Is” and “Guilty Conscience”. The success continued with the 2000 release The Marshall Mathers L.P. featuring the hits “The Way I Am” and “The Real Slim Shady.” However, along with all the fame and success, controversy and personal drama soon followed.

By the end of 2000, the name “Eminem” became synonymous with controversy. The Slim Shady L.P. landed Eminem in two high profile lawsuits; one of which was against his mother, Debbie Mathers. The Marshall Mathers L.P. resulted in Eminem being at odds with (former) Second Ladies of the United States, Lynn Chaney and Tipper Gore regarding censorship of  his lyrical content. On June 4th 2001, Eminem was arrested on gun charges. The arrest came two weeks prior the release of D12’s debut album, Devil’s Night, which was executively produced by and also featured Eminem. In September 2001, production began on the film 8 Mile with Eminem starring in the lead role. Although he found himself at what seemed like insurmountable odds, Eminem’s fame and success seemed undeterred by all the chaos.

The Eminem Show released on May 26th 2002 and featured Eminem in more of a production role. The album debuted at number on the US Billboard charts and went on to sell 1.3 million copies by the end of the second week. The lyrical content of The Eminem Show saw a drastic change from previous albums and collaboration. The Slim Shady L.P. had a vibe that was very satirical, comedic and horror based. The Marshall Mathers L.P. greatly reduced some of the horror themes while The Marshall Mather L.P. saw Eminem more focused on lyrical precision and word play. The Eminem Show was more far more political and deeply personal.

The Eminem Show opens up with the track “White America.” The song takes aim at American politicians and parents who want to further censor the music industry. White America begins with Eminem taking a deep breath and screaming “America” at the top of his lungs. Not only is he calling out politicians and critics, he is also putting the rest of the country on notice. Eminem voices his anger at politicians for over analyzing his lyrics and makes the claim that politicians and parents never cared for rap until Eminem became a household name. He states the reason they’re trying to censor him is because he is white. Overall the tone of this song is very angry and rebellious. For fans, this is your everyday Eminem song. But to politicians, this could be seen as a call to arms. At the end of the song, Eminem states that he is “the ringleader of worthless pawns sent to lead the march up the steps of Congress” which eerily enough seemed a prediction of the January 6th 2021 attempted insurrection on the US Capitol. The irony of such a lyrics and the events of January 6th  would be lost on those same politicians and critics who criticized Eminem.

Fans had already been introduced to Eminem’s private life in previous albums and many collaborations. “Stan’s” knew of Eminem’s personal problems with his alleged drug addicted mother. We all knew about Eminem and Kim’s volatile relationship – so far so that Eminem even went and enacted killing Kim and kidnapping his daughter, Hailie, in two separate tracks on two separate albums – The Slim Shady L.P. “97 Bonnie and Clyde” being the sequel to The Marshall Mathers L.P.’s “Kim.” However, with The Eminem Show, Eminem gives us incite on his 2001 arrest. Eminem also gives his opinions on his mothers recent lawsuit and further insight into his upbringing.

“Cleaning Out My Closet” is the first of several tracks to delve deeper into the private world of Marshall Mathers. Eminem describes how his father was nonexistent after abandoning his family when Eminem was only a couple of months old. Eminem then contrasts by stating that he would never leave his daughter no matter what Kim and him went through. Eminem describes his upbringing and how his mother, Debbie, moved them from home to home throughout his childhood and how he was possibly a victim of Münchausen’s Syndrome. Eminem makes note that his half brother, Nathan, is not perfectly fine without Debbie in his life. Eminem even makes reference to how Debbie once told him she wished he had died instead of her brother, Ronnie. Eminem concludes the song but letting Debbie know that Hailie is getting older but that Debbie will never know Hailie and she won’t even be at Debbie’s funeral. Prior to this album we knew that Eminem had issues with his mother, but this song puts all those issues to the forefront and makes it as personal as possible.

Eminem takes us deep into the concealed weapons charge he faced a year prior to the release of this album. The skit “The Kiss” is a prologue reenacting the events of the night Eminem was arrested. Eminem shows us that he was with his friend in car. Based on their conversation, we can infer that they were parked outside of nightclub waiting for someone. As the skit continues, we hear Eminem refer to a woman kissing a bouncer. The skit ends with Eminem running out of the car while his friend chases him. The skit immediately leads into the song “Soldier.” “Soldier” is part one of the bigger story regarding the charge. Soldier is a regular rap track that Eminem is known for, but he hints in a number of lines how he was arrested for “weapon concealing” and “pistol-whippin’ motherfucking bouncers.” The end of the track flows into the next song, “Say Goodbye to Hollywood” which opens up immediately after the hinted events of “Soldier.”

“Say Goodbye to Hollywood” begins with the sounds of sires, jingling keys, and the sounds of car doors slamming. This track sheds more light into the arrest. Eminem’s tone is more melancholy that usual. He comes off very remorseful in this song. He details how he assumed that he could have worked things out with Kim but in the end, she left him while he fought off 30 people in front of the club. This track also shows that Eminem still doesn’t like the fame that he has gained but instead of being pissed off at the fan that hound him, he wishes that he was better at other things such as math and also states that his fame has forced his family to feel alienated. “Say Goodbye” shows us a very vulnerable Eminem.

Hailie’s Song” show us a side of Eminem we have never seen before. In this song, he is actually singing to Hailie . While “Say Goodbye to Hollywood” shows us a remorseful Eminem,  “Hailie’s Song” is the track that shows Eminem at his most vulnerable. The track is a pretty simple and straight forward song that has Eminem letting us know that his insecurities and other problems are eating him alive but the sight of Hailie brings joy to him.

The Eminem Show gave us more insight into the world of Eminem. As a producer, he introduces a more rock sounding rap album. His lyric prowess and complexity is honed even further with this album and is a far cry from the simplicity that was The Slim Shady L.P. Today’s fans would call several of the tracks “bangers.” Most of those songs would include “Business”, “Square Dance”, “Without Me”, “Sing For the Moment” (my personal favorite) and especially “Til’  I Collapse.” Recently, “Til’ I Collapse reached a milestone of over 1 billion streams on Spotify. Although the song was never released as a single, fans old and new have stated that the song is a “true banger” and many have stated that it is the best song to work out and exercise to. Considering that The Eminem Show first recently exactly 19 years ago, it’s a testament to the longevity of Eminem when a non single track reaches 1 billion streams on a modern music app. The times have changed, but Eminem proves he may indeed be one of many “G.O.A.T.’s (greatest of all time) in the rap game.


Xpyred Radio

Smooth (Santana & Rob Thomas)
Angel Theme
I Need To Know (Marc Anthony)
Resident Evil 3 Epilogue
Again (Lenny Kravitz)
More (Bobby Darin)
Way to Fall (Starsailor)
Fundamentally Loathsome (Marilyn Manson)
King Nothing (Metallica)
All I’m Gonna Take (Autograph)
Resident Evil 3 End Credits
Cum on Feel the Noize (Quiet Riot)
The Honeymooners Theme


Musical Time Capsule: A Memoir Mixtape

It’s probably a cliché to say “music brings up so many memories.” You’ve probably heard a few people say it. I’m sure plenty of us have said it quite a lot this past semester. Maybe it’s not a cliché at all. It doesn’t matter what time of music you enjoy. We don’t all have to enjoy each other’s musical taste. But one thing is for sure; memories that come to us while listening to music is something we all have in common.

My iPhone is a musical time capsule. I just set my music app to shuffle and a vast majority of songs take me back to different moments in my life. Some memories are great and some are bad. Some songs may bring up bland and boring memories.  A few songs may bring up something terrifying or captivating. A few tracks may bring up something offensive or funny or even tragic. In the end, my phone remains a musical time capsule with plenty of memories I will cherish.

Wild, Wild West – Will Smith & Kool Moe Dee (1999)

I despise this song. The film simply not appeal to me when I was 14-years-old. By then, I had been fully invested in the semi adult content of late 90’s professional wrestling  and was opposed to the cheesy, corny PG-13 film this song was written for. My hate for this song partially comes from the constant repetition of TV spots Burger King had promoting these cheap Wild, Wild West children’s sunglasses that must have play a dozen times an hour on Nickelodeon. All I hear is the Kool Moe Dee’s baritone voice repeating “Wild, Wild, West” over and over. The TV spots seem to play endlessly throughout the summer of 1999. The commercials were just too annoying but aren’t entirely why I hate this song. The song itself reminds me of those cheap sunglasses and those sunglasses have bring up one of the worst memories I have.

It was July 11th 1999. I was hanging around with my friend Ramy. He lived next door to my grandparents and was the only other friend I had in New Jersey. Earlier in the day we went searching for a kitten named Katie that belonged to our friend Jonathan whom my grandparents used to babysit. Katie had a habit of running out of Jonathan’s house and would roam the neighborhood. Jonathan had asked if we could help bring her back. We spotted Katie hiding inside a hole under some steps of one of the neighboring houses. She wouldn’t come out so  Ramy and I went down the block to check up on my uncle who was helping his aunt repair the front steps of her house.  When Ramy and I went back up the block, we saw a group of older teenagers – two boys and two girls – standing outside of their car looking down at the concrete. We ran over to see what the commotion was and saw Katie convulsing on the street. Jonathan saw us and ran over to see if we had found Katie. When Jonathan got closer, he saw us standing over Katie as she lay on the hot black concrete—her eye protruding from her tiny skull, the ground covered in blood. Jonathan was wearing those awful sunglasses which were too small on his head. As he watched Katie’s death spasm, he screamed as he removed the sunglasses and snapped them in half. Jonathan’s mother, Neri, walked over to Katie’s body in a drugged up daze. Neri looked like a zombie—death incarnate herself, as she scooped up Katie with her bare hands and tossed her in a plastic garbage can outside their home. I lost my innocence that day. That night I woke up in the middle of the night in a panic because I swear I saw Katie laying at my feet with her eye hanging from her head as she stared at me lifelessly. That day was when my fear of death began and led to the worst part of 1999.

The hill where Katie was hit by the car. Ramy’s house is on the left.

 Home Improvement Theme – 1991

I fell for Jessica during our time in Mr. Gil’s 7th grade math class back in September of October of 1997. I recall being too shy to make the first move. She started walking me to class and picking me up after classes. She sat on my lap in the lunchroom. She sat next to me in the schoolyard during lunch recess. I really liked her but I was scared. If Jessica hadn’t become weirdly clingy, I doubt any of this would have happened. One Tuesday night, I ate some awful pigs in a blanket hotdogs a neighbor had brought to my parents. The hotdogs gave me awful indigestion and I ended up sick that evening. I had a nightmare that Jessica was staring at me with her huge, diluted black pupils that looked like a set of abysses. As I tried to kiss her, Jessica then grew a beard and turned into actor Richard Karn known for 1990’s television series Home Improvement and later on became a host for Family Feud. As weird as that was, I chalk that up to this weird coincidence of me always getting sick on Tuesday night’s throughout the entire time I public school. I used to get sick a lot at night and it was always when my parents were watching Home Improvement. The dream made me panic. I freaked out and decided I needed to stay away from Jessica.

The next day, Jessica was extra clingy. After following me the whole day and not giving me space, I yelled at her during PM homeroom. “Get the hell away from me,” I hollered in the packed hallway in front of my classroom. I embarrassed her. It hurt me to do so because it wasn’t her fault. From then on, she changed with me. She started bullying me. She began skipping school. She disappeared for a week and I started to worry. A friend of hers named Brian came over to me during recess and told me that Jessica and her older sister had been arrested for being in a car loaded with drugs. I was shocked. Drugs in 7th grade? Made no sense to me. A few days later, she came back to school and I asked her if she was okay. She yelled at me to get the hell away from her – somewhat poetic if you ask me. When I asked about the arrest, she picked me up in the middle of the school year and body slammed like Hulk Hogan did to Andre the Giant all the years before. She picked me up again, twisted my arm behind my back, slammed my face into the fence, and asked how I knew. I told her and she proceeded to slam me again and chased after Brian. We hardly spoke again after.

In 8th grade, I changed schools. My mother did not like the “urban” feel of Halsey junior high and instead had me transferred to the more rural Russell Sage on Austin Street in Forest Hills. I saw Jessica one last time during the summer of 1997 just before I transferred schools. She had started dating this kid named Sam. He was some weird Egyptian kid that thought he was from California and acted like a disciple of West Coast gangsta rap. One day, they saw me rollerblading around the school. Jessica sat on his lap and asked if he could “lick her clit again like last night.” It broke my heart. I didn’t even know what a clit was at the time but it know it must have been bad. I never saw Jessica again. When my transfer came in November of 1997, I called Jessica to confess my love to her. She told me it was too late and hung up. I never heard from her again. Never saw her again.

Richard Karn on the set of Home Improvement

I  Started a Joke – The Bee Gees (1968)

During my depression of 1999, I had hoped I would see Jessica in Forest Hills high school. I waited and waited but she never showed up. She was my last hope for curing the depression I was deeply afflicted with after watching Katie die. I struggled hard in high school. Years later in 2004, I saw a friend of hers, Mara, while I was walking with James along Queens Boulevard and 64th Avenue in front of the old Blimpies sandwich shop. I told James that this girl knew Jessica. James stopped Mara and asked. Mara coldly replied, “She’s dead” and walked away. I felt guilty. Did I kill her? Did me telling Jessica to back off force her into a life of drugs? Did she overdose? Was she murdered? Was it an accident? These questions would plague me until the summer of 2013.

I started dating my current girlfriend, Jessica Z, in 2011. One day I confessed to her that I “murdered” the other Jessica. That was not the proper way to explain it to her, but she heard me out and went onto social media to help find the previous Jessica. I had already tried Xanga back in 2002 and 2003. I tried Myspace in 2004 through 2008. I even tried Facebook but I always came up empty. Jessica Z then asked if the other Jessica had relatives. It never dawned on me to check up on the other Jessica’s sister. Jessica Z then found the sister. Then we found the original Jessica. She was alive. Not only was she alive, but she married a man named Eric. What’s worse? They had a few kids but their firstborn son was also named Eric. I reached out as quickly as I could.

I left Jessica’s apartment around 7 or 8 that night. I was waiting for the Q59 on Grand Avenue while shuffling through music. I noticed that Jessica replied to my Facebook message. I had completely zoned out on my music playing as I clicked on the message icon to read what she sent. She asked if I was the same Erik with the mom who had a rose tattoo on her ankle. We spoke for a bit and I explained how I felt guilty for over 16 years. Jessica’s reply was just a simple “lol” when I told her that I had thought she was dead. 16 years of guilt. What I hadn’t noticed but found ironic was that the Bee Gee’s song “I Started a Joke” had came up on shuffle as Jessica and I replied to each other. It truly was a joke; half my life was spent worried about a woman who was just fine. All this depression, angst, and guilt because of Richard Karn and Home Improvement.

 Trouble – Shampoo (1994)

December 17th 1995; my birthday. I had just received Mighty Morphin’ Power Rangers: The Movie as a gift. My parents invited a bunch of family over. My grandparents came with Jonathan and Neri. We let the movie play in the background while we played Mortal Kombat 3 on my Sega Genesis. The song comes up toward the end of the film and is set to a scene of the local kids celebrating the fact that their parents are all hypnotized and being sent to leap to their death. When the song came up, Jonathan screamed out “I love this song” and began dancing. Truly the pinnacle of innocence and purity. Five years later I saw him shattered and broken like the sunglasses he destroyed after Katie died. Jonathan passed from cancer away three years ago. He was far too young. Although we had lost contact after the summer of 2000, I will always have these memories and this song helps to remind me. 

The Best Is Yet To Come – Aoife (1998)

This song hits close to home for a few reasons.  The first reason being thatI originally heard this song during the first half of 1999 – before watching Katie die and before the fear of death. The title of the song is an extreme juxtaposition of what occurred the rest of that year. It almost feels like a slap in the face to be told “the best is yet to come” and then nothing but negative occured for the remainder of that year. The song is entirely in Gaelic and I have no idea what the lyrics are about, but the song is slow and peaceful sounding; much like the first half of that year. The second reason being that song reminds me of the one woman in my life that I could honestly say I cared for more than any other. Ramy introduced me to a video game called Metal Gear Solid and we spent months playing that one game over and over again. Ramy’s mother, Maha, watched us play that game and laughed as Ramy and I spent hours screaming at each other and at the television as we played. Maha only scolded us one time. However, Maha generally let us boys be boys and she was very supportive of us when we were younger. A very short time ago, I wished her a happy birthday and she replied with a simple thank you and called me her “second son.” Not long after that, she passed away—cancer again. This song reminds me of her positivity and her endearing nature.

The last time I ever heard from Maha.

Ramy and I playing the demo of Metal Gear Solid in the winter of 1998.

Criminal – Eminem (2000)

Criminal conjures up a few different memories for me. I still remember when my friend Saurabh gave me a copy of The Marshall Mathers L.P. and we spent hours listening to that album. We would drive around in his father’s beat up, beige station wagon we called the “shaggin’ wagon.” We were the most non “gangsta” teenagers blasting gangsta rap from those speakers up and down Woodhaven Boulevard between 63 Drive and the old abandoned St Anthony’s Hospital between 89th and 91st Avenues. One time in May of 2002, we parked in front of the hospital during its deconstruction and blasted Criminal while I read this issue 405 of the Uncanny X-Men comic.

Another memory that comes up when I hear Criminal is from a live performance I saw in September of 2001. On Saturday, September 8th, HBO had aired an Eminem concert that Saurabh asked me to record for him. My parents did not like Eminem of his music, so I had to record the concert in secret. I was unable to check the VHS recording of the concert until just before going to school on the morning of September 11th. I remember skimming to Criminal and watching Eminem give a small preamble before performing the song. Eminem explained how he was sitting in a police interrogation room as an officer asked “why did you do it? Why did you do it?” and Eminem replied “because I’m a Criminal.” I went to school that morning and was so excited about that one moment in the concert. After gym class, this classmate named Gary – who was a metalhead and did not listen to Eminem, asked why I was excited. I remember going up the stairs to the second floor and screaming out the same lines Eminem gave before the song began. I had never been this excited about music or a concert before. A few periods later we heard about the terrorist attacks that morning. At first, I feared that I angered the gods by watching something my parents were against. They raised me in their ridiculous beliefs of Santeria so I feared that my glorifying of Eminem somehow led to this catastrophic event. I eventually moved past those childish thoughts but I will never forget that packed stairwell, Gary, that concert or that morning.

She Hates Me – Puddle of Mudd (2001)

I graduated high school in June of 2002 and was desperately in need to run away from my home life. My family had finally just gotten internet access shortly after the 9/11 attacks and my goal from that moment forward was to find a girlfriend online and run away. That girl was Lindsay from Arizona – or so I thought. I met Lindsay and her band of friends during the summer of 2002 while browsing an AOL chat room for Eminem fans. I don’t even recall the specifics of who messaged whom first but I know we spoke throughout the rest of the year and she seemed like she really liked me. We exchanged photographs Christmas and Valentine’s Day cards and love letters. Then she disappeared at the beginning of March in 2003. After months of talking to her, it seemed serious enough where I fell in love with her. Turns out it was all a lie. One day she messaged me claiming to have been nearly kidnapped and a man named “Erik” saved her when she ran to a nearby town. Then she disappeared again and her friend Bonnie messaged me saying “Lindsay is dead.” Having flashbacks to Jessica in junior high school, I panicked and fell into a depression. A few weeks later in the middle of April, Lindsay messaged me calling me a “faggot” and a “bitch” for falling for a girl online. Around this time, the music video for She Hates me had a lot of airtime on MTV and the Fuse channel. The lyrics pretty much summed up my experience with Lindsay. To be honest though, I really enjoy the song and the video always made me laugh.

Tainted Love – Marilyn Manson (2003)

I will never forget Christine. I met Christine one Friday morning in May of 2003 when I walked my friend James to Forest Hills High School. Christine happened to have a class or two with James and after she saw me with him, she demanded that he get her and I together. Christine was an odd girl. She was definitely not my type. I wanted a girl like Britney Spears in the Baby One More Time video. Christine was a metalhead that wore band shirts, black clothes, spiked bracelets and jelly bracelets that somehow were meant to coerce teenagers into performing sex acts based on the color. Me; I was a small dude wearing extra large Ecko shirts and super baggy pants.

Christine finally asked me out on a Monday and I agreed because I wasn’t exactly Rico Suave and the girls were not tripping over themselves trying to get to me. The next day, Christine introduced me to her father as he picked her up in front of the school. When he met me, he said “I’ve heard so much about you” which was odd to me because I had only met his daughter on Friday and started “dating” the day before. On Wednesday morning, Christine met up with me before school and told me she broke up with her girlfriend so she could be with me. She proceeded to kiss me and shoved her tongue so far into my mouth that shocked me. I had kissed a girl or two before that but never had I been kissed with that much tongue. I wouldn’t have that experience again until my friend Lance kissed me the same roughly a year later and I can honestly say I’ve never had another girl kiss me the way Christine did that morning. Thursday afternoon after school, Christine emailed me saying her father did not want her around me. She explained that her father was under the impression that I was the boy that took her virginity a few months before I even met her. Between you and me, I was a 19 year old virgin at the time and proud of it. On Friday, I walked Christine home and she explained that she didn’t care for what her father said; she was planning on staying with me.

That should have been enough of a pause for concern but I was an idiot. On Saturday Christine  sent me an email saying she was listening to the Manson cover of Tainted Love while thinking of me and masturbating. I was starting to get a bit worried even though I was a Manson fan at the time. Then the weirdness started. The following week, Christine starting cutting her first and second period classes to hang with me in the mornings. As we walked down 108th street to the local McDonalds, Christine pointed our different people from school. “You see that guy? I gave him head behind the school.” “You see that girl? We fingered each other in front of the house where I first kissed you.” Within the span of four days, she pointed out exactly 12 people she had some sort of sexual encounter with. She was only 16 years old and she had already had more sex that I probably ever would. Now I was started to freak out. Then she said something I never thought I’d hear – “did you know that babies are actually aliens that inhabit a woman’s fetus. Yep… alien babies are a thing.” At that point I needed to break up with her. I decided to break up with her that Friday night.

It was a Friday full of crappy rainy weather and a bit cold; the best day to break up with someone. I walked Christine home and decided I would break up with her through email. Christine lived a block away from the Wendys on the corner of Metropolitan Avenue and Woodhaven Boulevard. After I walked her home, I took all of Woodhaven Boulevard back to 63rd Drive when I noticed I had 17 missed calls from Christine. I called back and she was crying. Her father and step mom were in a bit of a fender bender and she was worried. It totally screwed up my plans of breaking up. I was decent enough to not want to break her hear during what could be a tragedy at home. I walked back to Wendys where we sat for a few hours. As I sat there in a booth with Christine resting under my right arm, a figure came from behind us and slapped her against her head. “What the fuck did I tell you? I told you I didn’t want you with this piece of shit.” It was her father yelling at the top of her lungs. Everyone in Wendys stared at us in silence. Her dad looked at me and said “if I catch with my fucking daughter again, I will bash you head in with the bat I have in my truck.” He yanked Christine by the arm and left Wendys. I waited about five minutes before leaving and as I stepped out the door, Christine’s dad sped up in his truck and almost hit me. It wasn’t the break up I wanted but it sure did the job. I avoided Christine after that. She stalked me for a while before going back to dating girls. She scared the hell out of me. Good times.

Me in April of 2003 with my extra large Ecko shirt and my baggy jeans.

The Wendy’s where Christine’s dad tried to hit me with his truck.

All The Things She Said – T.A.T.U. (2003)

If 1999 was the “year of fear and death”, then 2003 was the “year of the Femme.” James and I were sitting at Macdonald Park on Queens Boulevard when we noticed two Asian girls sitting at the bench across from us. One of them was very tom boyish but the other one was very feminine and super cute. They walked past us and I asked them for the time. As the tom boyish one told me the time, my quick-witted nature had me blurt out “hey you’re kind of cute” to your super cute one. She replies “I’m a lesbian.” Then the tomboy said “I’m a lesbian. My name is Valerie. This is my sister Viella Mae. She isn’t a lesbian.” We laughed at my stupid pickup line and then we learned that Valerie was dating a girl, Monica, who happened to be in one of James’ classes— this should have been an indicator to run after the Christine fiasco. What ensued was three months of ridiculous problems. James’ brother, David, caused major issues for us when he asked Valerie and Monica if they could have sex in front of him like “that one T.A.T.U video.” Turns out Valerie hated T.A.T.U because “they aren’t real lesbians and it’s a cheap marketing ploy.” Things went from bad to worse when it turns out all these girls were cheating on each other with other people or had secret girlfriends no one knew about all. It was like the one song, “Too Hot” by Coolio; Valerie was dating Monica but Valeria had a girlfriend named Derly who was on vacation in Colombia while Monica was also dating a girl named Nikki but Monica was also messing around with a guy named Mike. Meanwhile James was trying to get with Monica who in turn used me for information on Valerie. One night, I met Monica incognito at her apartment. Her parents went to some party and left us alone with her bedridden grandmother. Monica seduced me and we had a bit of under the shirt play and then I went home. Although nothing happened between Monica and I, I somehow ended up with a reputation in Forest Hills High School for supposedly sleeping with Monica. Of course I would end up with a rep a year after I graduated with no way to bask in that glory.

 International You Day – No Use For A Name (2001)

I never had someone dedicate something to me until my first real girlfriend, Jane. She dedicated this song to me not long after we began dating in November of 2003. The relationship was tumultuous. She was a 16 year old girl with a twin sister named June. They were both heavy alcoholics during their senior year of high school. Not wanting to relive the drama of Jessica from junior high, I tried my best to get Jane to stop drinking and hanging with a bad crowd. The more I begged and pleaded for her to stop, the deeper she fell into that life. One day she went to a drinking party. While there, she got wasted on drugs and alcohol and ended up having sex with her sister and some girl named Tina that I tried to get with earlier in the year. June was also raped by her boyfriend after Jane left the party. The entire thing was recorded by their friend they called “Pollo” which is Spanish for chicken. I was afraid of losing another girl and being blamed for it so I stayed with Jane for two and a half more years. Soon she became physically abusive to me; giving me cigarette burns and cutting me up so bad that I still have scars from to this day. She ended sending me to the hospital after kicking me in the crotch twice. I probably can’t have kids because of that but I am too scared to confirm. Jane cheated on me numerous times all the while claiming this song explained how she felt about me.

I Believe in a Thing Called Love – The Darkness (2004)

This song is a hard pill to swallow for me. It was introduced to me by a friend named Lance. Lance had a complicated life. He was gay but in the closet as far as his family was concerned. The woman who raised him and claimed to be his mother was really his grandmother. The woman he was told was his sister was actually his birth mother. Lance was confused and complicated. Most people hated Lance. They found him annoying and weird. James hated him and Jane mocked him but I always felt bad that his home life was just as bad or even worse than my own. Growing up, people found me weird and annoying too so it made me give Lance a chance. Lance became weirdly loyal to me after I defended him a few times. The easiest way to compare it would be like having an overprotective guard dog.  One day I tried to have sex with Jane. I was still a virgin so I wasn’t prepared. I prematurely ejaculated kind of like that scene from the first American Pie film. When I called James to get some friend advice, he wasn’t around so I called Lance instead. We went to Burger King on Queens Boulevard by Queens Center Mall. We sat there for hours while I talked about the awful non sex I had earlier that day. While we sat there, this girl walked in that I had seen in the neighborhood a few times. She wasn’t attractive in the least and it almost felt like she was stalking me. Whenever I was hanging out in the neighborhood, she would follow me whenever she saw me. I panicked and asked Lance to help me out. When the girl came over to say hello, Lance grabbed my hand and said “excuse me, my boyfriend and I are having a moment. Can you please leave? Scoot, scoot, scoot.” The girl was disgusted and left.  It did cause some issues later on when she saw me in public and told her friends I was a fag. Lance had good intentions though so I wasn’t mad but he told me I owed him. Lance happened to live in the building next to mine so we walked home. He asked if I could walk him to his apartment because he was afraid of the elevator. We took the elevator to the 11th floor and Lance cornered me. He reiterated that I owed him and he grabbed me by my face and kissed me. He shoved his tongue down my throat. I had flashbacks of Christine. Lance knew I wasn’t gay, but he stuck around and was fiercely loyal after that kiss.

Still, he had his problems and there were times he needed a shoulder to cry on. One day he came over to my apartment to get away from the abuse. He turned on the Fuse channel and we spent hours watching music videos. Then the music video for “I Believe in a Thing Called Love” came on. He became “giddy as a school girl” as he called it. He told me how much he loved that song. It wasn’t my type of music because at the time I was still so heavily into Eminem and then Manson (because my parents hated him so I needed more of his music to piss them off) and I was sort of into Rammstein and Linkin Park and System of a Down. Justin Hawkins, the lead single, had incredible range when he would sing in falsetto. It kind of grew on me. Lance ran away from home in April of 2004. I know it had to do with his family’s abuse but some days I blame myself because he had a major crush on me and was very upset when he found out I wasn’t gay and that Jane and I were in a relationship. Whenever I heard this song, I think of Lance and wonder if he ever made it.

The Hills Remix – Eminem & The Weeknd (2015)

I never heard the original version of The Hills by The Weeknd. I know nothing about The Weeknd. What I do know is that this remixed version by Eminem speaks volumes to me when it comes to this one woman I know from New Jersey. Ramy introduced me to Melissa back in early 2009. I was single at the time and desperately looking for a girl but my 2003 streak of attracting weird girls had ended and no one caught my attention like Melissa did. I don’t know what it was that attracted me to her because she had a raspy voice, snaggleteeth and had a weird obsessive with wrongly quoting comedians and movies. It could have been that she was the first woman I was able to speak to on a human level where I didn’t have to fake anything with her. We actually spoke like we had known each other for years. I was friend zoned real hard with Melissa. And then one day she goes and gets pregnant and has a baby with some loser from Pennsylvania who had  no job.  He was cheating on Melissa with a drug addicted woman who had a baby drown while playing with a bucket full of water. I hadn’t seen Melissa in over a year but she met up with me and Ramy during her ninth month of pregnancy. I have no idea how it happened, but that hangout led to issues because her boyfriend claimed that I had sex with her that day and went so far as to claim her baby was actually mind. Newsflash; we never had sex. Hell – we never even kissed or touched hands. Melissa called me after the birth of her first son and started singing tunes about how she hated the baby’s father and how I had a chance with her. We were supposed to meet up one day to hand out and have her talk about her feelings. She stood me up. The next night she tells me “I’m back with my baby’s father.” This happened maybe two or three times whenever they were on the outs. If ever there was a song that so deeply complimented a situation, it’s definitely The Hill Remix by Eminem.

Not Your Kind of People – Garbage (2012)

I had never heard of the band Garbage before until I started dating my current girlfriend of ten years, Jessica. Sidenote – this is a different Jessica and not the one from junior high. Jessica loves Garbage. Despite her love for the band, I never gave them a chance until I heard this particular song in the trailers for Metal Gear Solid 5. Lyrically, I felt like this song was how I felt after all these years of trying to fit in. It hits even closer to home when it comes to Jessica’s family. Her parents are Polish and her sister had 3 kids with a Mexican man she was briefly married to but left for an Irish fellow. Her parents don’t like me because my family is Puerto Rican. All the while I have been trying to live up to these ridiculous expectations and the family still treats me like an outsider. By the time I heard this song in 2015, Jessica and I had been together for five years. After so many failed relationships, trouble with racists parents of the girls I dated, terrible friends and my own family issues, it was all summed up pretty well in this song. The song reminds me of the song “I’m Not like Everybody Else” by The Kinks. So I can relate to it in the same way I relate to the lyrics by The Kinks.

El Gran Varon – Willie Colon (1989)

I remember this song from my childhood by it wasn’t until sometime in the summer of 1999 when I finally understood the lyrics to an extent. The song is a story narrated by Willie Colon. Apparently this was the first song to really bring attention to HIV and AIDS. The song is about a man named Simon who is born in the Summer of 1956. Simon is the pride of his father, Andres. Simon is raised in a strict home. One day Simon leaves his home and begins dressing like a woman. One day, Andres goes to visit Simon. A woman approaches Andres and says “hello father.” Andres is confused as the woman explains she is Simon. Andres shuns Simon and abandons him. A few years pass and Andres is upset that Simon never reached out to him. Andres learns that Simon had died in the summer of 1986. Simon died a strange disease. Simon died alone.

I remember hearing this song a lot when I was younger. When I stayed with my grandparents, my grandmother would turn the radio on early in the morning while she did housework. The  Spanish radio station, La Mega 97.9, played this song a lot in the mornings. The story, narration and the characters called to me and were a big influence for me to want to write. The song is depressing as heck and I find myself sometimes shedding a tear when it comes up randomly. After 2004, I sometimes think of Lance when I hear this song. I often compare the narration and story to Stan by Eminem. Both songs are a huge influence on me wanting to write.

One memory attached to this song is the memory of how I could have died in April of 1994. As I mentioned before, I used to stay with my grandparents a lot when I was younger. My grandparents lived in the basement of my grandmothers sister’s house on the corner of 71st and Cottage Avenue in North Bergen, New Jersey. I used to spend my time in the living room of the basement where I sat on my uncles bed and watched TV. In April, my great grandfather became very ill. My parents would go every Saturday to visit him in the hospital while I stayed in my grandparents basement apartment. My great grandfather died on a Friday afternoon. My parents decided to go to Jersey that night instead of waiting until the following day. The next day, while my grandmother and her 4 sisters were upstairs in the kitchen, there was a loud boom equivalent  to the sound of an explosion. The house also violently shook. It turns out a car came speeding down 72nd street and lost control and crashed into the side of the house. The car ended up in halfway in the basement and landed on my uncles bed. Fortunately, no one was in the basement at the time. If my parents had not gone to Jersey the previous night, I could have been on that bed when the car slammed into the house. This accident is what led my grandparents to move further down the hill next door to Ramy. If they hadn’t moved down there, they never would have been Jonathan’s babysitters, I would have never met Ramy or Melissa and I would have never seen Katie die. I still remember all the times I woke up on that bed to El Gran Varon playing on the radio and it scares the hell out of me.

El Gran Varon Translation


Acknowledgments

First, I would like to thank Professor Tougaw. Thank you for proving a calm, cool and fun environment for us to be able to express ourselves through our work, our musical interests and our group work.

Thank you to the rest of the class for being so open minded about each other and making this class one of the best I’ve ever attended. This was easily the most judgment free class I’ve ever seen and I loved every meeting we had – even if I was too self conscious and shit to show up on camera or speak up.

Thank you to Eminem for helping me get through my senior year in high school with the knowledge that there were others out there whose lives were just as difficult, or more difficult as my own.

Thank you George Carlin for the ability to question everything around me and to help open my mind a bit to see how toxic and suppressing my family is.

Thank you to Jackie Gleason, Audrey Meadows, Art Carney and Joyce Randoplh for bringing the world The Honeymooners. The show got me through the hardest parts of my life. Thank you for the laughs and entertainment.

Thank you  to all the people in my past who made my radio station and memoir mix tape possible. Without the horrors, laughs, blood, sweat, tears, pain, love and friendships I wouldn’t have the stories or memories I hold so dear. I may not be friends with most of you and I may not like a lot of you because of how different we became but in the words of Tupac “I ain’t mad at cha.”

Sneak Peek into the World of Music- Final Portfolio

———————————-Sneak Peek into the World of Music——————————–

Introduction: 

Welcome to a quick sneak peek into the world of music. For my music portfolio, I’ve included some of my favorite works that I have done throughout the semester. When choosing the pieces to include in my portfolio I have thought about the meaning behind the assignments and which best showcases my love for music and represents who I am and my interests. Each of the portfolio pieces symbolizes my understanding of life and music. Like many others, for me, I listen to music for enjoyment and in order for it to teleport me into a whole different world, an escape from reality. 

For starters, I’ve decided to include my record club which was my introduction to Juice WRLD. I have decided to focus on an artist that I have never personally listened to but yet were caught by his great vocals and stories behind the music he produces. This assignment enabled me to showcase my interest in new music and artists that I have never heard of before. This record club tells a slightly vague-yet-telling story of Juice WRLD moments from his life, his struggles, and the challenges he faces. For my second choice, I have decided to include my infographic which was focused on Selena Gomez and her musical journey. I decided to include her music in my portfolio because due to how important her music was, especially during my teenage years, around the time I first began to venture out into different genres and musical artists. Her lyrics from each of her singles hold a great value in her career because it creates a visual for her audiences into the world of figuring out yourself and a world of musical experiments. For my final portfolio piece, I have chosen to include my personal essay, and talk about the music in my life. I have decided to include this as my closing piece of work because it describes my love for music and the value it holds. Music has definitely been an escape from life and it really builds up an individual so having that as my last closing work really represents the materials that I have learned throughout the class and the growth in my musical taste and interest. 

———————————————-Record Club: Can’t Die-Juice WRLD—————————————

The song I have decided to choose for my record club is “Can’t Die” by Juice Wrld. I believe every song he has the lyrics are very powerful and catches anyone’s attention very fast. Juice Wrld was struggling with addiction, anxiety, and depression. The fear of getting judged by the world has created an inner devil for Juice Wrld. The song Can’t Die is a very deep song that speaks directly to the audience about how he “can’t die” because he “never was alive”. That statement for the most part also touches on the depression that he feels due to the death of his loved ones, in addition to sympathizing with others who are going through the same. In the first chorus,

“Sometimes it feels like I can’t die, ’cause I never was alive”

Then in verse two, he sings

“Cross my heart, hope to survive”.

When Juice Wrld is singing you can really hear the acoustic guitar and you can pick up how the beat of the tone is more sincere and genuine like you hear the passion he has for music. As an audience, we can really notice when he raps he is very heartfelt but also when he sings it’s more calming and his vocals create a sense of sadness/pain. Expressing his emotions through his music really allows his audience to connect more with him, socially about mental health. Many individuals use his music as an escape from reality and transport it to somewhere they feel safe.

This song is considered a hip hop/rap genre. The chorus, verses, and the bridge in the song really create a sense of honesty and gives the audience a visual of his life and his mental health through the art of music. The song has a combination of a beat, tempo, chorus, and tone that really makes the music more smooth and creates a balance. The tone and phrasing in Juice WRLD’s music are presented in ways that really capture the shape of his music and sequence of notes in order to express his emotions. Juice WRLD has constantly accomplished this by drifting stylistically from the sheet music by adjusting tone, tempo, dynamic, and more. 

Musical Terms: 

Chorus: It is a repeated section in the music, and it is a common song structure, and usually it is repeated at least twice in a song.

Beat: it is a regular pulse in music that allows the dancers/audience to go with the beat and music to run smoothly.

Tempo: the speed at which the music is or should be played. 

Tone: is an attitude of a writer toward a subject or an audience. The tone in the music can be anywhere from informal to formal, cheerful, or sad.

http://https://www.youtube.com/watch?v=cJNsZkMS1eo

——————————————Infographic: Selena Gomez-Musical Journey——————————–

Many might know Selena Gomez from her debut on the Disney channel. She is an American singer, actress, and producer. Born and raised in Texas, alongside her television career, Gomez has starred in few films and also voices many characters in Disney films. Selena Gomez released a total of seven albums, three studio albums, one compilation album, and three promotional singles.

Gomez began her career by appearing on the children’s television series, and in her teens, she fulfilled her role as Alex Russo in the Emmy Award-winning Disney Channel television series Wizards of Waverly Place (2007–2012). Alongside her television career, Gomez has starred in many award-winning films. She has also served as executive producer for the Netflix television series 13 Reasons Why (2017–2020) and Living Undocumented (2019). Her transition from the Disney channel and the film industry was filled with many criticisms but she was recognized for her great vocals. Her transformation to the music world has allowed her to experiment and play with different musical genres and continue her journey till today where she has successfully created a name for herself. 

Selena Gomez’s first album which was released in 2009 “Kiss & Tell”. The album held freshness and a twist. Kiss & Tell is a work of near-genius modern pop that shows off Gomez’s light but soulful vocals in a near-perfect setting. Plenty of songs in this album has her talking about her boyfriends, tracks joyously detail newfound love affairs, and a good many generally rock out. The variety of styles and sounds on the record is pretty impressive. There are snappy bursts of punky pop bump up against Latin-influenced dance jams, midtempo, new wave rockers, techno-ish dancefloor, and hopeful love songs. Her vocals sound young and fresh and her singing is full of energy. The album was a great start to Selena Gomez’s musical career.

The second album was released in 2010 “A Year Without Rain”, wasn’t as successful as the first one but the album’s mix of frothy teen pop with super-catchy choruses, excellent production, and Selena’s sweet yet powerful vocals proved popular with both critics and the public, and it was a long-running one. There are no new wave or emo-pop influences, only a couple of songs that aren’t about serious longing and heartbreak, and an overall feel of the sorrow of heaviness. The album overall held great vocals but was not as successful.

“When the Sun goes Down”, released in 2011 being the third album in three years. The songs are sassier, lighter, and more fun. Her vocals are more spirited, the arrangements less reliant on heavy synths, and overall, there’s a more playful feeling to the record that’s more in keeping with her first album. She bubbles her way through dancefloor-friendly tracks like “Bang Bang Bang” and “That’s More Like It”. The rest is really solid and fun modern pop with sharp hooks and a couple of surprises. It adds some welcome taste and creates a straightforward record, and shows how easily and successfully she can slip into different personas and styles.

“Stars Dance” 2013, takes a slightly more eclectic approach. Gomez and her writers and producers don’t drift far from the dancefloor and party jams, and these are the strongest songs on the album. It’s hard to resist the jumping beats, shiny synths, and Gomez’s cherry vocals on tracks like “Slow Down,” “Undercover,” and the disco-y “Save the Day.”  Stars Dance is another quality entry in her catalog and just another example of why Selena Gomez is one of the best pop stars making music in 2013.

Release of “Revival” in 2015 the artist went through few changes such as the label change and her public relationship.  The album sticks pretty close to a club hits-and-ballads mix with a couple of R&B-inspired jams thrown in. Gomez sounds most at home on the uptempo dance tracks like “Kill ‘Em with Kindness” or “Me & the Rhythm,” where the smoothness of her voice fits in with the surrender of the beat. She aims for several kinds of maturity, and the production holds professionalism.

2020–present: “Rare” and “Revelación”, are the newest albums. Her break after her last album has changed her as an individual and the artist herself had gone through a huge health journey that allowed her to change her perspective in music. The introverted and emotionally raw song “Lose You to Love Me” surrounded Gomez’s aching vocals with sparse piano, swirling strings, and lush background vocals, and connected instantly with her fans and anyone who ever had to ditch someone in order to save themselves. That song, and the record it appears on, mark something of a turning point in her career. Where in the past she focused mostly on breezy sentiments, playful frothy pop, and more recently sexy come-ons, now she’s digging deeper and mining her own life and loves for subject matter in more obvious and revealing ways. Revelación is Gomez’s first release to be prominently in the Spanish language, combining reggaeton, electropop, Latin pop, and R&B with urban elements.

The musical journey of Selena Gomez included many changes in the artist herself, her vocals, and her style. Her music included both her struggles and her rebirth into the music industry. Each song is meant to represent a stage in her life and what she is going through. Overall, her genre of electronic dance music, pop, and R&B-inspired songs has been a journey that included a lot of experiments, and today she is known for her well-established career, accomplishments, and her trials with music.

————————————————–Personal Essay: Music is my life—————————————–

For me, music is quite important, and I believe it is a significant part of my life. For many reasons I can say music plays a huge role in my life, for starters the world of music evolves around so many genres, artists, and different styles. Music is a form of expression which has no boundaries, and it follows no guidelines. To me, I would describe music as like air, because it has no true shape or definition, yet we need it in our life.

When I was a child, I didn’t have a great love for music as I do now. I mainly listen to Hindi music but now as days go by I am getting more into listening to Bengali, and English music. There are many Indian artists that are favorites such as Arjit Singh, Shreya Goshal, and Neha Kakkar. Music has definitely shaped me as a person and helped me get through many challenges and phases in life. When I was in elementary school I was bullied for many years, and during the time when I felt like I had no one, I had music. Music became my source of relief and escape from reality. I still believe music to this day has constantly been shaping me as a person, regardless if there is heartbreak, celebration, or sorrow there’s music for everything.  I believe music can convey all sorts of emotions, whenever the emotion is joy and happiness or sadness and despair through rhythms, harmonies, and the lyrics music shows it. Some of the Bengali and English artists that I recommend and listen to are Habib Wahid, Selena Gomez, Juice WRLD, and many more. I believe their music holds a special place in my life. Each of the artists has portrayed their struggles and challenges through music and has shown growth within themselves for their audiences which I believe really allows us to know a bit more about the singers we listen to daily. Growing up in Bangladesh and till this day watching Hindi shows has not only allowed me to be in love with Bangla music but also introduced me to Hindi music which shows the power of music and how easily it can grab your attention. Listening to Bangla and Hindi music brings peace in heart and mind, it harmonizes and makes the heart and mind at ease.

Music has always created an environment where we could escape reality. Some of the music I listen to really is gentle, melodious, and smooth but there are playlists that we own that are full of groove, deep vocals, and strong rhythm. Some of my favorite genres of music are Indian pop, r&b, and hip hop once in a while. As mentioned before, I mostly listen to Hindi pop music, and choosing a favorite album or music is very hard because they all hold a different emotion and not all create and give similar feelings. Recently I have started to listen to Spanish music even though I can’t understand the language itself. The beat, harmony, groove, and dynamic that it creates really makes the audience wanna get up and dance and that is the power of music. The artist’s name is Bad Bunny, and the song that I recommend listening to is called “DAKITI”. Music really offers many advantages for learning languages. Listening to music in a different language can really help with us learning about the language and when we sing we try to reproduce sounds and tones within that language which allows our brain to really start to understand the language. 

As future educators, we are constantly looking for unique and effective ways to teach our younger generations. Music has definitely started to take over our educational system and now is starting to seem just as important as other subjects in our curriculum. As mentioned before music is so important to be introduced to younger students in classrooms because it really allows them to positively have an impact and improve their academic performance, and assist in developing social skills. Corporating music in our classrooms daily can not only teach our student’s body awareness, eye-hand coordination but also about many of the instruments. Music holds great value in my life and in my future self as a teacher. 

The musical images that music and songs can create are amazing. Music can transport me back in time just like a time machine. It lets me revisit lost and forgotten moments in life. Due to the high effect of music in the life of human beings, it is capable of breaking boundaries to unite people from different backgrounds and cultural heritage. Indeed, there is a lot about music that someone can talk about, but overall music holds great power to bond people together and institutes love as well. The more we explore music, just we would realize that it is not only about rhythm, melody, or harmony. Music is also a tool for learning, therapy, and teaching because it can adjust our moods, and be used throughout our lives.

A Glimpse Into my Library

Fireworks, I Feel Like Glitter
            Tyler, the Creator’s Tiny Desk performance is a representation of the creative energy he emits regularly. From the incorporation of fans into his performance, as well as the ambiance he created for the performance, Tyler grabs the attention of everyone immediately without saying a word. On July 21st, 2017 he released his fourth studio album, Flower Boy, also known by the alternative title Scum Fuck Flower Boy. Some months later in December, he went down to Washington D.C. and performed for a video series of performances known as NPR Music Tiny Desk. The concept is exactly like it sounds–various artists from all different genres of music performed at a small desk, surrounded by items and knick-knacks from all the different performers that have been a part of the series.
I have always been a fan of Tyler’s music and would say that I’ve been a fan throughout his development as an artist. However, for some strange reason, outside of a single “See You Again” ft. Kali Uchis, I never gave the Flower Boy album a listen when it first came out. I didn’t hear any of the other songs until I watched his Tiny Desk performance, which was absolutely amazing. Other Tiny Desks typically start with the artist behind the desk, possibly introducing themselves, the song or album that it is from, or they will immediately jump into the song. Tyler, on the other hand, starts this performance entirely out of view of the camera. Rather, you hear the voices of the two backup singers Kaye Fox and Kiandra Richardson singing the opening to the song “Boredom” for almost two minutes, while Tyler is off to the side with the crowd. Just in time for his verse, he runs behind the desk and begins, “Boredom, boredom, boredom, boredom, boredom, boredom, boredom, boredom.” I must say, what an entrance! The initial lack of visual stage presence followed by the dive into his verse is an experience not many artists can provide. There is no breakage in the verse, so when we hear him gasp at the end, he suddenly seems very humane. This moment really helped to engage the crowd. To build on crowd engagement, as an outro to this song Tyler asks an audience member her name, which he then incorporates into the song singing “Nana in this motherfucker, Nana in this motherfucker, she can call me.” The song concludes and Tyler pauses to have a conversation with the audience about the tea he was drinking and then asks the crowd to join on around the second chorus of, “See You Again” because he “likes that shit.”
This performance sculpted my experience of listening to Flower Boy for the first time because the overall sound and aura were very different. Listening to the Tiny Desk created a sense of closeness to the songs that I did not feel when listening to the recorded album. The main difference was the vocals, the strong feminine presence in the live performance was absent throughout the album, it was definitely something I missed.  This is especially true for the third and final song of the performance, “Glitter.” The recorded version has only Tyler’s vocals throughout the whole song. Contrary to this, the Tiny Desk performance has the assisted vocals of Fox and Richardson, which makes the track significantly better. The album versions of the song lacked a warm feeling that Fox and Richardson executed perfectly. Additionally, the song “Boredom” on the album features Rex Orange County. Hearing his rendition versus the performance of the girls created a clear division in which I found to be preferable.
            FlowerBoy offers a complete about-face from the music that I listened to when Tyler first began came out in the early 2010s. From projects like Goblin and Bastard to Flower Boy shows true character development and change in Tyler’s personality. As drastically different as these projects may be, they all have a common denominator of unique, musical genius. This Tiny Desk performance shows progression in his character and stage presence, proving that Tyler, the Creator has undergone great growth, and is multifaceted. From the controversy early on in his career about being a devil worshipper to now making music that makes you feel like a firework, Tyler, the Creator has great depth and is putting it on display.
_______________________________________________________________________________

The First Decade of ‘Ye
            He’s your favorite artist’s favorite artist. Born in Atlanta, Georgia but raised in Chicago, Illinois, Kanye West has managed to influence generations of music that have not even come. He entered the game producing for Roc-A-Fella Records until he felt that he was too talented of a songwriter to not put his skills to use. The combination of producing and songwriting, along with an explosive personality and hardship gave fans an outstanding decade of musical genius. Our focal point will be the start of his career to what many would call the peak of his career, and the influence this has had on generations to come.
The College Dropout
            In 2004 West released his first album The College Dropout. This album was incredibly experimental and different, as it included gospel, rap, soul, and much more, all while maintaining its core as a hip-hop album It amazes me how many times the video of him performing one of the hits of the album “All Falls Down” before it was released resurfaces on social media today. Before it was “All Falls Down,” at the 2003 Def Poetry Jam it was a poem called “Self Conscious.” Watching the video still makes the hairs on my neck stand up. Other hits on this album include the iconic music video to go along with “New Workout Plan,” a song that was recorded after a life-threatening car crash “Through the Wire” and Grammy award-winning “Jesus Walks.” This album gave us the infamous line in which West states, “Everybody wanted to know what I would do if I didn’t win… I guess we’ll never know.” West entered the industry as an artist with absolute bangers. Aside from this, he created a character-the Dropout Bear-which was something not many artists had done to that point. It wasn’t exactly an alter-ego of any kind, rather just a symbol that when you saw it, you immediately knew who it resembled. There were many others to do it before him also, however, the bear may be the most iconic of them all. One artist that comes to mind when I think of the impact this bear has had is Logic with his ATM 301 robot.
Late Registration
            One year later in August of 2005, West released Late Registration, which again used a combo of strong music videos to assist in the popularity of his songs. This album was important because of the social impact West was making just after it was released. Hurricane Katrina struck three days following the release and during a telethon for Red Cross Relief West stated, “George Bush doesn’t care about Black people.” A powerful statement indeed. This is by no means the first time an artist has referred to socio-political inequality, as we have songs by N.W.A., Tupac Shakur, and many others that give very similar messages. West found a way to do by using his platform, separate from music. That aside, the singles “Touch the Sky” and “Gold Digger” had vibrant music videos to go along with them that stick in people’s heads. Further, it would be no surprise if these songs were played on the radio on any given day. And yes, everyone sings along. A major point of West’s career at this point was samples. This a was a trend that carried over into many present-day artists’ production. He’s well known as the sample king for a reason. A hidden gem of this album is the track “Late.” This track was not widely available and would not be the last time West hides tracks. This influenced people like Childish Gambino, who had a hidden “Beach Picnic” version to his hit single 3005. The idea of a hidden track, something where the fans have to do their research to uncover is a construct West heavily influenced.
Graduation
            Two years later, West released my personal favorite-Graduation. This 2007 album featured several songs that were made with the intention of getting stadiums of people on their feet. He succeeded. Singles like “Champion,” “Stronger,” and “Good Life” had the music industry in a chokehold for a long time. West composed a tremendous ballad on “I Wonder,” and got very personal about his relationship with Jay Z on “Big Brother.” I find this album especially interesting because there are alternate endings, one of them being the track “Good Night,” which is a smooth, subtle ending. Contrary to this, the ending I love was “Bittersweet Poetry” featuring John Mayer. This track offers such an interesting contrast, it is exactly as the title states, a perfect blend of singing and rapping throughout the track. A point of impact this album has is rooted in its synth-based production. Songs like “Stronger” opened the door for songs “Just Dance” by Lady Gaga and “Right Round” by Flo Rida in immediate years following this albums release. Most importantly, this album deviated from much of what rap music was in this era. This album was released in a sales competition against 50 Cent’s Curtis, which consisted of hardcore gangster rap. Following the first week of sales, West edged out 50 Cent to mark the transition into a new wave of mainstream hip-hop. This opened the door for so many artists such as Lupe Fiasco, Kendrick Lamar, Drake, J. Cole, and Kid Cudi, as their music did not follow the hardcore route. Graduation is largely credited as the marker for the shift from conventional gangster rap to more free-flowing, rap about what you want hip-hop
808s & Heartbreak
            Bring in the influence. West’s fourth studio album really breaks down several barriers within hip-hop, the largest one autotuning. Songs like “Love Lockdown” and “Heartless” pioneered this autotune movement along with other artists like T-Pain and Lil Wayne. This album helped influence a large portion of our current generation’s artists as their niche resides in the realm of autotune, some of the most notable artists are Juice WRLD, Travis Scott, and Lil Uzi Vert. Another agenda West helped to pioneer with this album was “emo” rap with the assist by Kid Cudi. Before this album, hip-hop and rap music never really indulged with feelings of sadness. Being that this album was recorded and released following the passing of West’s mother, we were given a very vulnerable side of his musical genius. “Welcome to Heartbreak,” “Street Lights,” “Bad News,” and “Coldest Winter” are all very emotionally charged songs where West shows how materialism, the loss of his mother, and separation from his fiancée have impacted him significantly. Not only did West influence people musically with this album, but his fashion impact was especially strong in this era. Cue the shutter shades, bubble vests, and South of France haircut. It was impossible for me to go outside during this era without seeing any one of these, or any combination of these, on any given day. How could I forget? The Air Yeezy one prototypes, worn at the Grammys. This shoe along with the Louis Vuitton sneaker collaboration the followed shortly after was one of the foundational stones for recording artists having signature shoes. Since then, we see artists like J. Cole and Rihanna with Puma, Future with Reebok, Drake with Jordan/Nike, Wiz Khalifa with Converse, and many more. These collaborations are largely in part due to the impact West had in the fashion community.
My Beautiful Dark Twisted Fantasy

Kanye West unveils My Beautiful Dark Twisted Fantasy's five album covers - Consequence            Many argue that this album is West’s best project to date. They have good reason to. Let’s start with the range that this album presents through its features and contributors. Rihanna, Nicki Minaj, Beyonce, Kid Cudi, Jay Z, Rick Ross, Pusha T, John Legend, Elton John, and Bon Iver. This array of musical talent all on one album together can feel overwhelming. Yet, it was executed perfectly. 2010 proved to be a year that Ye could not miss. Taking elements of all his older albums whilst incorporating new ones helped to create a true gem-a masterpiece. The point of impact I would like to key in on is the artwork. The attention to detail West has is uncanny, as this album offered five alternative album covers. The primary one being a man with a green bottle in hand engaging in intercourse with what appears to be a phoenix, as the woman has wings. The next, a ballerina holding a wine glass. The third is an abstract piece, a distortion of awkwardly proportioned images of a caricature-like image of West. The last two are very similar, one pictures a severed head wearing a crown and a sword sticking out of it in the clouds, the other pictures the crown in the same position with the sword sticking into the grass with clouds in the background. These images each offer a unique meaning in relation to the album, but in all, they add to the masterpiece; A great deal of detail in the artwork of albums following MBDTF was a direct result of West’s influence.
Yeezus
“Yeezy season approachin’ / Fuck whatever y’all been hearin’” he opens on this experimental album. Yeezus consists of heavy synthesizers, electronic sounds, and distortions. This album is definitely an acquired taste for many, myself included. Upon first listen, my initial thoughts were, “the hell is going on?” The opening track “On Sight” gives you 34 seconds to just reflect on your thoughts while distortion plays before leading into West’s verse. West uses this album to address the controversy that has surrounded him his whole career. He addressed exactly who he thinks he is on “I Am a God,” he nods to the materialism and poor financial decisions of people in the Black community on “New Slaves,” and the destruction of relationships that comes with fame on “Blood on the Leaves.” This album’s influence is evident in especially within the last five years of music, as artists like Trippie Redd and XXXTentacion, as we began to see more artists follow the trend laid down in Yeezus which consisted of fewer lyrics and more sounds. Yeezus opened the door for heavily synthesized songs. He started this trend before West began using synths in Graduation, however with Yeezus, we see a generation of artists achieve great success following this groundwork. Future’s DS2 came out shortly after this and tracks like “I Serve the Base” act as a testimony of how important synths are. The shift Kanye made in this album is largely because of his relationship with Hudson Mohawke, also known as TNGHT. TNGHT’s electronic approach to music and collaborations with West created a popular segue into EDM as we know it today. The work done between these two helped to break barriers as artists became more experimental following the release of Yeezus.

In short, Kanye West’s first ten years and influence, synonymous.
________________________________________________________________________________
Cruisin’ in My Six-Four

The song I’ve chosen for record club is Kaash Paige’s “’64” off her debut EP Parked Car Convos. Kaash was 18 years young when she released this project in 2019. I found this album while scrolling on Instagram one day when I heard it in the background of the video, which led me to immediately surf the comments for what it was called. The song is very straightforward. Kaash talks about driving around her city in a ’64 Chevy Impala, picking up friends, and just having a good time. At the time when I first heard the song, I couldn’t relate at all. I didn’t have a car to go driving around in and my friends didn’t either. Now that I have a car, this song resonates with me so much more.

The tempo of this song is what sticks out to me the most. This isn’t a slow song. Or at least, this is not what comes to mind when I think of a slow song. It offers a nice in-between speed that is maintained throughout the song. It starts with a fade-in of the beat before Kaash directly goes into the chorus. Maintaining a steady pace throughout, the song carries you into the scene that she paints with the lyrics. “Cruisin’ in my six-four,” is the lyric that proves to be the most vital, as it is under-layered with, “I be riding through your city, yea” which helps to entrain listeners. The song opens with a repeated beat created on a synthesizer for the very brief intro. This synth carries on throughout the song, giving the track an electric aspect that I enjoy. Kaash talks about things that youth can relate to. These lyrics entrain me and makes me feel everything that is being said.

Tempo: The speed of the rhythm of a composition.

Fade: A gradual reduction/raise of the level of the audio signal

Chorus: Song Section – The chorus is intended to be the most memorable part of the song. It is repeated several times so that it sticks in your mind. Several other tricks are used to help it stick. Commonly a chorus: Contrasts with the verse, rhythmically, melodically, lyrically, harmonically, and/or dynamically. A chorus is repeated at least once, both musically and lyrically. Usually several times. It is more intense, has more energy. A chorus usually has a greater musical and emotional intensity than the verse. Lyrically: The main message and /or concept are expressed in the chorus.

Synthesizer: An electronic instrument developed in the1960’s that produces a wide variety of sounds by combining sound generators and sound modifiers in a single unit with a unified control system.

Intro(duction): A preparatory movement, usually in a slow tempo to introduce …

Entrainment: the bio musicological sense refers to the synchronization of organisms to an external perceived rhythm such as human music and dance.

 

 

Portfolio of Growth & Transmutation

Each assignment within this portfolio, allowed me to access parts of myself that I was unaware of before. With Lil Peep’s album review, it was my first time writing about music or Lil Peep. While I have many emotions about his passing and his death, I never thought to write about it or express openly how his music made me feel. I have written reviews on books and television shows before but never an actual album for an artist. The same could be said for my Memoir Mixtape, Pandemia. That assignment pushed me to check in with myself about feelings I didn’t know existed before choosing to write about the subject. It revealed to me that there is still much healing that needs to be done after the year I experienced in 2020. The same could be said for my radio show, “Doja Radio Special”, because it allowed me to do something fun that also helped reinforce my love for recording myself and hearing myself speak. It also made me feel curious about doing podcasts or future radio shows using the Audacity app. All of these assignments are included in my final portfolio as a testament to my growth throughout the semester.


Come Over When You’re Sober Pt.1 – Album Review

Over the years, the opioid crisis has taken the lives of many talented artists way too soon, particularly one whose death still stings within the music community – Lil Peep. Four years ago, Peep released his first and only album to be released while he was alive, Come Over When You’re Sober Pt. 1. Exactly three months from the album’s release death, he would overdose from a toxic combination of Xanax and Fentanyl. And while he lost his life during the height of his career, this album remains a testament to Peep’s imprint within the music industry and also the need to address the opioid crisis that continues to affect the world today.

Peep stands in alignment with the likes of artists like Kurt Cobain and Tupac Shakur, because like these legends, he created a sound which was unlike others in his generation. He transcended the stereotypes of “Soundcloud rapper” and created a refreshing version of hip hop/rap/trap mixed with grunge/punk rock: something the industry has never seen or heard before.

Come Over When You’re Sober Pt. 1, begins with “Benz Truck”, filled with the melodic riffs and raspy whispers of Peep. This song speaks to his entrance into the industry, stating “Getting to the cake now, / All the hate don’t phase me, /All the money that I make now, I’ll never let it change me.” The lyrics are haunting because it speaks to Peep’s substance abuse, when he sings “Drugs in my nose, good drugs in my cup” but at the same time, you can’t help but smile at Peep’s finesse with this track. His ad-libs of “skrrt” in the background alongside his sultry sounds of his voice in the background of the chorus, convey how versatile Peep’s sound was as an artist.

“Save That Shit”, my favorite track on the album, is a catchy song that speaks to the tortures of enduring a relationship while being at war with yourself. He sings and raps, “Fuck my life, can’t save that girl,/Don’t tell me you could save that shit”, expressing how hopeless he feels about being saved by his lover while also hyping himself up singing “Nothing like them other motherfuckers,/I can make you rich”. The song embodies the duality that Peep often expresses in his songs: feeling hopeless and depressed while also realizing what a treasure he is to those who have the pleasure of encountering him.

A similar theme is apparent in “Awful Things”, but instead, Peep seems to embrace a more submissive tone to his lover. “Bother me, tell me awful things/You know I love it when you do that/Helps me get through this without you” is his way of expressing a willingness to be abused by his love, as long as she gives him the time of day. The song features fellow GothBoiClique member, Lil Tracy, who has previously collaborated with Peep in his earlier projects. The opening riffs of “Awful Things”, bring me back to the days of listening to Blink-182’s self-titled album, as Peep embodies a similar sound but embraces a newer feel to this style of music.

“U Said” is the most versatile track of the album because it embodies Peep’s ability to produce a mournful melodic sound while also demonstrating his ability to have agency as a rapper. The song is split into two parts, with the first expressing his regret for falling in love while acknowledging his part in why a relationship didn’t work out.  “I wish I didn’t have a heart to love you,/I wish I didn’t play a part to break you,/I wish I didn’t do a lot of the shit I do” but in the second part of the track, he switches to “Sometimes life gets fucked up,/That’s why we get fucked up,/I can still feel your touch,/I still do those same drugs”. Peep conveys the message that life presents it’s challenges and that at times, being high is a means of coping with said challenges.

The next track, “Better Off (Dying)” embraces a chilling feel to listen to posthumously, with Peep belting out the lyrics “You don’t wanna cry now, better off dying” while belting out “Even if I try hard, I ain’t gonna make it/We ain’t gonna make it”. While Peep is expressing to a lover that he’s better off dying, it is evident that to listener’s that this was far from the truth.

“The Brightside”, incorporates an essence of trap with heavy guitar riffs throughout the beat, with Peep delivering seductive vocals about his yearning for a lover while realizing that what he has with her isn’t love at all. The song explores themes of “I gotta look at the bright side, I guess she wasn’t the one, right?/This isn’t what love’s like,/That’s for sure”, is Peep’s way of honoring the song “Mr. Brightside” by rock band, The Killers, also adding his personal touch to the message of the track.

The album ends with “Problems”, possibly the most haunting song on the album in light of his untimely passing. It presents irony because he sings that he “spent a lot of time in the background”, although this song was released during his rise to fame. It details his feelings of isolation and loneliness while struggling with addiction: “Took a pill and we passed out,/ I made a deal with the devil”. The track incorporates influences of Peep’s signature melodic raps with a dazed undertone of existential suffering.

Overall, the project allows Peep to make his signature mark in the industry and capture the essence of his versatility as a musician.  Most of Peep’s lyrics capture the struggles of drug abuse but also sheds light on the bigger implications of mental health and wellness. Peep set the tone for the genre of “emo-rap” but also demonstrated that if he could create a new sub-genre, then future artists can too. The album is tragic poetry that hypnotizes the listeners but also dictates how the brightest stars can diminish too soon. He captured the ears and hearts of his current generation and left behind a blue-print for future artists to come.


Pandemia

I’ve always been into sci-fi and dystopian media – but who actually thought I’d be living it? The COVID pandemic is one of the most challenging experiences I have ever witness and endured in my life. I can’t recall ever wearing a face mask prior to 2020. Hand sanitizers were a thing I carried in my purse as a luxury – not a necessity. Some people say the death of Kobe Bryant was in an indicator of the times. Others think it was when Meghan Markle and Prince Harry had their “BREXIT”. But who can really say?

“Pandemia” was what my mother-in-law called it. Others called it “The ‘Rona”. Especially young new Yorkers – you know we are quick to coin a phrase for everything. Regardless of the name, it affected you in some way, somehow. This mixtape has tracks that evoke memories of various moments I experienced during the COVID 2020 Pandemic. Each song symbolizes a pivotal moment throughout my experience in 2020 and also gives intimate details into my personal life as well. This wasn’t easy to write but it’s a truth that I needed to face and may also resonate with what many people have dealt with in the past year too.


Yesterday – The Beatles / “Yesterday (Cover) by Billie Eilish and Finneas, performed at the 2020 Oscars

Who could forget the haunting dreamy whispers of Billie Eilish singing “Yesterday” at the Oscars?
“Yesterday – All my troubles seemed so far away.
Now it looks as though they’re here to stay.
Oh, I believe, in yesterday”,
she recites as Kobe Bryant’s face flashes across the screen. I cried watching this performance, not only because it was the “In Memoriam” portion of the show but in disbelief that Kobe Bryant had died two weeks before with his daughter in a helicopter crash. During this time, COVID seemed like a boogeyman – something discussed in the news occasionally but nothing that anyone had actually witnessed firsthand just yet. Not in the United States, anyway. The parallels to the lyrics are uncanny because during this time, COVID had not entered the country yet.  Who knew that weeks later, New York would become the epicenter of the virus, shutting down schools, businesses and so much more.

“Suddenly, I’m not the half the man I used to be.
There’s a shadow hanging over me.
Oh, yesterday came suddenly.”


War – Pop Smoke, Lil TJay

It February 2020 and the beginning of my first semester at Queens College (QC). This was my go-to song to bump while heading onto campus each day. The whole act of starting my BA program at QC felt like preparing for war. I’d get myself geared up every morning for a 9:15 class — Air pods in, Doc Martens on, running in an oversized purple puffer coat two sizes too big – (because I was four months pregnant and couldn’t fit into anything else.)

I had no idea how to navigate the campus and had received no formal orientation – so it was just me and my iPhone each day, learning how to navigate the campus with GPS. I downloaded the app for the Queens College shuttle bus schedule, which worked only when it wanted to. So sometimes I’d be waiting at the bus stop for half an hour or more, in the heart of Winter, wondering when the bus was coming to pick me up. There were some mornings where I got off at a stop too early. Or got off at a point where I had to enter the campus from the library entrance instead of the front of the building. For some reason, hearing Pop Smoke’s raspy vocals:

“I don’t get mad, I get money.

What you looking at, little dummy?

I start buckin’ teeth like I’m Bunny

and I back the Wraith out for nothin”,

cracked me up every time and always shifted my mood for the better. Three weeks into the semester, Pop would get shot to death by a 15-year-old burglar who entered his home. It was surreal when the video surfaced online the morning as I was headed to school. Pop was being carried out on a stretcher, his arm hanging limply while EMTs were transporting him to the ambulance.  Less than 24 hours after accidentally posting his location online, a teenager would break into his home, shoot him as he was taking a shower and leave him for dead. Who would’ve thought that one of New York’s most promising artists would’ve gotten killed at 19? Crazy. Perhaps this should’ve been a sign of the times back then, too – because New York went on lockdown shortly after.


You’re Somebody Else – flora cash

News of the pandemic became more frequent on the news. I watched as some of the strongest people I knew became terrified of what was coming. My husband and mother in law would come home discussing what they were seeing at the hospitals. I’d hear from my mom the stories about her co-workers getting sick and being forced to quarantine in their homes. School transitioned to online learning and everyone was unsure of what was to come.

“You look like yourself,
But you’re somebody else,
Only it ain’t on the surface”

This song premiered on a show I binge watched on Netflix to distract myself from the pandemic called Locke and Key. The lyrics rang true as I watched the people and places that I loved change rapidly around me. My family members urged me to stay inside because I was considered high risk due to pregnancy. No one knew how COVID could affect an unborn child. No one knew exactly how the virus spread. I went out one afternoon anyway to pick up a few things from the grocery store, wearing gloves and a mask over my face. It was eerie going to the grocery stores and seeing the empty shelves. Toilet paper, paper towels and ramen were nowhere to be found.

Some evenings, I would sit with my husband and mother in law, trying to figure out what we should buy in case there was a shortage. Strategizing the best days and times to try going to Costco or Target to buy diapers, baby wipes, amongst other things — because they were completely sold out everywhere.


Every Single Thing – HOMESHAKE   

It was April 1st when my husband found out he had COVID. I remember feeling nervous when the results came into his phone via email from his job. I was in our bedroom while he was in the living room, where he had been waiting for the past nine hours waiting for the results. He Facetimed me from the living room to let me know that the results were positive.

Positive for COVID-19.

My mind was racing – trying to re-trace our interactions over the past few days. This is what they now call “contact tracing”. I didn’t know if I had caught it myself. Or if Micah, our 1 year old, had it. Or what to expect if we did get sick. Or what would happen to Morris – would he make it or was this the end?

I immediately called my mom to tell her the news and she didn’t hesitate before instructing me to come over. My mother in law agreed – that it wouldn’t be safe for us to stay there. Not for Micah. Or myself. Or our unborn baby. I packed everything as quickly as I could before leaving the apartment for what would be two months.

Yes –

Two.

Months.

“Feeling so out of touch, Staying inside too much. Introducing all these hands but I’m out of luck.”


Come Thru (with Usher) – Summer Walker ft Usher

I’d call Morris throughout the day but sometimes he wouldn’t answer.

He was feeling too tired. Or too sick.

I didn’t know if I was calling too much.

Or if I wasn’t calling enough.

I was seeing so many homeopathic remedies being suggested online – respiratory steams to help him breathe better. Herbs to loosen the mucus in his chest. My mother sent over a garlic/honey mixture as well as a new asthma pump in hopes that it would help.

But he wouldn’t bother.

He said,

“You should be careful giving out all of this advice, you’re not a doctor.”

I found myself feeling frustrated.

And sad.

And exhausted.

And alone. Very much alone.

I spent the first two weeks in my mother’s house with a mask on, keeping Micah and myself in my brother’s old bedroom. We wouldn’t talk much when she was home unless I was standing outside of her bedroom. Or through text messages.

There were so many narratives swirling online and on the news about the virus. No one knew what to believe. From doctors coming out stating that the virus was “Fake” to the viral “Plandemic” videos, to disputes over how the virus was actually spread.

We went through several bottles of Lysol wipes and latex gloves, scrubbing down everything bought in the stores. My mind was in a daze. From baby kicks to sleepless nights — All I wanted was to be home.

And after May came, I was.


I Like Him – Princess Nokia

July 20th, the morning of my anniversary, Liam was ready to come into the world.

Morris was the only one allowed to come with me to the hospital for delivery. No other family members. Or friends.
Just my partner.

And me.

The hospital a different experience this time around, with me wearing a mask the entire time and being rushed into the hospital. The line went outside of the door, with people waiting to be let inside.

I left the house at 8 and by 5pm, he was here.

Liam was a beautiful little bean, 7 pounds exactly. With Micah, they carried him away to clean him before giving him back to me. But with Liam, I held him right away.
When I brought him home, I made an Instagram story with this song playing in the clip, zooming in on his face while he was sleeping.

“I like him, I like him too. He my man, he my boo.

He my type, he’s so cute. I want him, and I want him too.”

He was precious and absolutely perfect – a silver lining in the midst of the chaos.

The calm after a storm.


Just Like Heaven – The Cure

And just like that – things have shifted again. My father in law passes away from COVID in El Salvador. The airports and borders are closed, and no one is able to travel to attend the funeral service.

It was a difficult time for everyone. It still is.


Avenue Beat – F2020

We had a socially distanced Thanksgiving.

And Christmas.

Spent New Year’s at home watching the ball drop and exchanging text messages to family members, sending well wishes for the new year.

Yet, there’s an eerie undertone to it all.

To see Times Square on TV completely empty and desolate.

To hear and see all of the businesses shuttered throughout the city from the virus.

Some of them closing down for good. Some requesting assistance to help them re-open.

To know that there is still so much work to be done – to heal the world (and ourselves) after what we have witnessed in the past twelve months. There’s a sense of comfort that 2020 is over but also a lingering question of what truly lies ahead.

TikTok had a NYE special on the app and played some of their most viral songs for the year.

This was one of them.


This mixtape was a road of self-discovery and made me realize that there have been some serious moments that I’ve experienced throughout this pandemic. I think of my story and then wonder about the millions of other stories of others. I wonder how this pandemic has affected them, too. And how they are coping. And if they are okay.


An edited version of Miss A Radio. I altered some of the tracks of myself where my voice was too low so that the audio is much clearer this time.

I dedicate my portfolio to Micah and Liam.

They are my little angels and the driving force for everything that I do in this life.

I also dedicate it to my family, my friends, teachers and mentors who have assisted me throughout this entire process in motherhood, my academic career and through the pandemic. I don’t know how I could have done it without all of you.