https://create.piktochart.com/output/53615857-the-life-of-amy-winehouse

Above is the link I’ve made public for my Infographic!

Amy Winehouse was born on September 14th, 1983, in London, England, to Jewish parents Mitchell, a taxi driver, and Janis, a pharmacist. Amy had a phenomenal voice from the time she was ten years old. Years later, she was enrolled in “Sylvia Young Theater School” but got kicked out of the school due to her lack of work in her studies and nose piercing. During her time at this school, she worked on solos that required a sexy jazz-style voice. Winehouse soon after began to study at the Brit Performing Arts School in South London.

Amy was singing professionally by the time she was only sixteen years old; this happened because her good friend James Tyler had sent her demo to a record company scout. However, it wasn’t until 2003 when her debut album “Frank” became noticed, as it brought a rebellious rock and roll feel to the music. Besides two songs on the album, all lyrics written by Amy and her brutal truth. The album won her two Brit Awards when released. However, Winehouse wasn’t making headlines just because of her voice; her image was unique to the public, making her that much more iconic. Her beehive hairstyle, Cleopatra-style eyeliner, and her tattoos made her stand out.

After the release of “Frank,” Winehouse didn’t produce or write anything for eighteen months. However, this changed after she met music producer Mark Ronson. She began to write “Back to Black,” which was the best-selling album of 2007. Released in 2006, “Back to Black” was her breakout album. It struck the world to see that every track on the album is unique in its way. The influence of jazz is evident in the songs throughout her album. The opening song “Rehab” is very up-tempo and filled with sass and flair. She expresses her rebellious characteristics in this track, especially when she says, “They tried to make me go to rehab. I said no, no, no.” Despite the alcohol and drug abuse, Amy believed she was fine and refused to admit herself into rehab on her record company’s behalf. The use of horns is significant in her music, especially in the song “You Know I’m No Good,” which helps carry the rhythm. In this song, she tells the story of cheating on her boyfriend with her ex. However, the music isn’t about forgiveness; in fact, she implies that he should have known how she is, and it’s his fault for sticking around.

The album titled song “Back to Black” is one of her most recognizable and popular songs. This track featured the use of violins and piano, creating a very Ballad style. However, she still kept her true style; this made the song so famous and pleasing. There is a balance between the piano riff and instrumentals, emphasizing only the right moments and creating a beautiful piece. “We only said goodbye with words / I died a hundred times / You go back to her /, And I go back to black” is the chorus line that seems to stand out to every listener. Her voice’s emotions behind every lyric and the relativeness make the listener feel that much more connected with this track. Every single song on this album is worthy of being released as a single. We often notice that there aren’t as outstanding as the others in other albums. However, this is not the case with Amy’s album. “Back to Black” is a unique piece where every track is worth mentioning. The album debut as No. 7 on the US Billboard 200 and sold 51,000 copies within the first week of its release. “Back to Black” was nominated as the Best Pop/Vocal album, Song of the year, and record of the year in the 50th Annual Grammy Awards. She also won Best New Artist and Best Female Pop/Vocal Artist of the year in 2008.

Along with success, Amy faced a public battle with her demons. From 2006 to 2007, Amy struggled with alcohol and drug abuse. She realized she was on the path to self-destruction and finally admitted herself into rehab. Winehouse had dreams of becoming a wife, mother, and have a family. However, her dream of normalcy and family never came to be; Amy was found dead in her home on July 23rd, 2011. Several things should be memorable about Amy Winehouse, such as her unique style, powerful voice, and lyrical poetry. Amy brought a retro kind of pop back to life. Even though her musical career was short, she did leave an impact on the world. This impact is still shown today with other female artists. She used the truth of her life to creating excellent work. Amy Winehouse had many tragedies throughout her life, but the biggest tragedy of all is that it took her. death for everyone to realize how iconic she is.

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I loved this podcast from the moment he began this podcast all the way till he ended it. The way he breaks down the music in the 1980’s is so profound. What stands out it how he describes the artists in that era as people who, “think towards risk and rethink their relationship with failure.” This overlaps with the marginalization of Disco music. I find it interesting that a whole genre of music was marginalized because of their listeners. This idea of the commodification of disco, and how as a result it was being whitewashed the more mainstream it became is not surprising. I think of rap music when I hear this. 

Another thing I like is how he describes the development of hip hop. When he describes the “percussion, cut up into small, danceable portions for the people in the audience to sweat to” I automatically visualize the birth of hip hop. On top of the descriptive nature to this I love how he says “for the people in the audience to sweat to.” When I think of funk and disco I think of people dancing however when I think of hip hop it’s nice to picture people sweating. It makes me think that this style of music was for more than just dancers but for “sweaters”; as a result of it being for “sweaters” it was meant that hip hop automatically became for everybody. 

I really enjoy Hanif Abdurroqib’s way of writing; it’s educational, informative, poetic even, in some chapters. He captures description without over-analyzing, but still giving enough information and detail. The description I found that I liked best from his book lays on page 143, where he wrote, “If I told you that my homies and I got so close to the promised land we’d imagined that we could rest our palms on the clouds outside the gates, you might understand why we’d want to get there again, despite the fact that it might not be the healthiest endeavor for us.” Leading up this quote, Hanif had been writing about a documentary on A Tribe Called Quest, as well as the band reuniting years later. He explains how at the heart of any documentary lies some sort of conflict or tragedy, but how this is a type of documentary that the public wants to see, because who wants to really see a documentary about a band that once was, who made money, kept their friends and rode off into the sunset with no harm done by the music industry. I liked this quote because I think that so often, fans forget that the musicians they admire or love are human beings, too, and that sometimes, specifically for bands, a reunion isn’t always necessary. For me at least, this quote is a reminder that we should enjoy and appreciate the artists whom we love while they’re here right now, making the music we love.

In his podcast covering Ian Curtis, this same type of feeling came up. At one point early in this episode, Hanif talks about Curtis’ epilepsy and depression, how lyrically, his anguish and sadness over his diagnosis comes through, since much of Joy Division’s music centers around these similar types of feelings written in this similar tone. I found it interesting when Hanif said that for awhile, he loved Ian Curtis more as an “idea”, early on when he first listened to New Order and Joy Division, because Hanif himself suffers from epilepsy, and while he remarks that his is way less severe than the kind Curtis experienced, nonetheless, he still felt a connection in the way Curtis wrote, describing him as a “writer’s writer”. I also liked how Hanif explained that he himself began adjusting his approach to himself after listening to Curtis’ writings on sadness and anguish, being somebody who also experiences these similar feelings. He says that Ian’s “work is a window to that particular closet of emotions”, which sounds to me almost like a nostalgia for a person you never met or spoke to, but whose words you can relate to on a deep level, almost as if you wrote them yourself. I think this part of the episode is reminiscent of one of the ways music should make the listener feel, especially when you’re able to find an artist that becomes very special and close to you, you can feel as if they’re in your mind, feeling what you’re feeling and turning it into music. That is music.